Tag Archives: live music

Interview with James Cassells of Asking Alexandria, 5/11/14, Southampton

Asking Alexandria are one of the biggest bands to come out of the UK rock scene over the last few years and, whilst they’ve had their well documented issues, they’ve made it out the other side and lived to tell the tale.  Now based in America, they’ve been touring around the world for what seems like forever, but they finally hit Southampton at the start of this month.  I was very privileged to grab twenty minutes of drummer James Cassell’s pre-gig time.  It’s a good one (and I’m particularly proud of it!), so kick back, grab a cold one and have a read.  Enjoy!

asking alex pic

So, James. You’ve nearly finished one tour and then you’re off to America for another?

Yeah, we’ve done about 5 weeks of this tour, we’ve got a couple of weeks left. We’ve got five days off and then we start a month-long tour of mainly North America and Canada.  We’ve never done a full Canadian tour, so it’s hitting a lot of cities that we haven’t hit before – we’re looking forward to it.

Awesome. You have The Family Ruin supporting?

Yeah, great band and cool dudes as well!

Let’s talk about ‘From Death To Destiny’, Asking Alexandria’s most recent album. It’s been very well received but how do you feel about it?  Do you think you’ve matured as a band with this record?

Definitely, I’ve always said it’s a much more mature album, especially considering the previous albums. The first one was very … not immature, but you can tell it was by teenagers.  The next album was very angry and with this one, we’re finding out our place in life, almost, so it’s a much more mature outlook on music and ourselves.  When we started the band, we were all teenagers; now we’re in our twenties, we have wives and houses, we are adults now – back then we were just kids on tour and were a mess, pretty much.

From_Death_to_Destiny pic

How does your writing and recording process work, do you all get together from the start?

Usually Ben will come to me with a guitar riff, or a chorus idea and we’ll work it, develop it and make a song and then we’ll approach Danny and the other guys. A lot of the songs on the previous albums have been mainly written by me and Ben.  This one was going about it a little bit differently and we wanted everyone to be a little more on board with the writing process, so it was a little bit more organic and not quite so disjointed.  It’s weird – a lot of bands sit in a practice room and just work it out and get songs, we don’t really do that.  We write ideas for songs and the first time we actually play it properly, is when it’s going to be recorded.  Even when we’re recording, we’ve never actually played it together.  With the next album we’re going to do that, we’re going to go about it in more of an original way.

Ah, I was going to ask about plans for the next album. Any timescales?

We’ll take the first half of next year off and in that time we’ll have a little bit of a break because we’ve been touring so much, we’ve hit pretty much every continent in the world this year, but we are also going to be in the studio recording album number four and we’re hoping to set a release date for summer.

Presumably that will coincide with a festival appearance?

Yes, we might be doing some festivals … if anyone looks back at our past touring schedules, you’ll notice that we do Europe in the summer and this summer, we did America. Last year we played Download, this year we did the Mayhem Festival in America.

You’ve launched the ‘AA Family’ website, like a fan forum type of thing. Tell me a bit more about that.

A lot of artists and bands, they have fan websites, but they charge their fans. We aren’t charging anyone anything. It’s a new concept.   We have 5 million followers on Facebook; if we post something on Facebook, it goes to a tiny percent of people and we were like, what’s the point?  So we said we were going to do our own thing, so we can actually reach our fans, when we want to reach them.

It’s also a place where they can access to new merch designs, pre-orders, chances to win tickets and we’re all on it. It’s still in its infancy at the moment, but we’re going to really step it up and we’re going to be doing loads of stuff that fans just want to see.  Hopefully it will become something really great.  I really hope it catches on because it’s a much better way for us to reach our fans and for them to interact with us and each other.

You’ve got many fans across Europe and the USA. Do you find there are any specific differences in the way that they react to you in the different countries?

A lot of people ask us that and honestly, the only thing that’s different is, for me, the accents or the language. The fans are usually very similar and its only when you go to somewhere like Japan, where in between songs they’re dead silent because the respectful thing for them to do, it’s their culture, everywhere else is very much the same, I find.  People love to sing along, some people like to rock out, some people like to just enjoy the music.  Maybe some places are louder or more extreme, but everywhere is the same.

Are they different when they meet the band?

We did a signing in the Philippines which was completely insane because they never see us – we’ve played there once, it was just crazy. People were trying to grab us … yet we’ll do the same thing in the UK or in America and it’s a lot different, people are a lot more respectful.

Well, we British are very good at queueing! Tell me what you’re listening to at the moment as you’re travelling round?  Any new bands to recommend?

I’ve been listening to The Family Ruin’s album (Dearly Departed) a lot, as I said they’re good friends of ours so I’ve been checking that out. I listen to a lot of electronic shit, especially if I’m in my bunk and just trying to chill out and sleep … it’s not verse, chorus, hooks and catchiness, it’s constant, background noise.  We listen to so much old school rock and classics, especially if we’re just drinking on the bus.

TFR USA tour pic

Who is the worst behaved person on tour?

What do you mean by “worst behaved”?

Like, who throws their toys out of the pram the most?

Ben can be a bit of a nightmare when he’s spat his dummy out, but it doesn’t happen often.   We’re all pretty bad, but to be honest, we’re not half as bad as we used to be.  When we were touring on the ‘Reckless and Relentless’ album, we were a complete train wreck, I’m surprised one of us didn’t die.  Now we’re a lot calmer, not as insane.  We’re all equally a bit older and a bit lamer, like I’m drinking Cup-A-Soup right now …

Not very rock and roll, James! Who is the best behaved and most chilled out?

Probably me.

Well, you would say that! In terms of Asking Alexandria as a band, where do you hope to be in five years’ time?

A lot of artists will have a market or a country where they are massive and everywhere else is lukewarm. We have a pretty solid fan base everywhere we go in the world and every time we go, we’re slowly creeping up.  We had a massive burst in North America to begin with and since then every notch, every album has gone a little bit further.

In five years, I just want to still be doing a vigorous touring schedule, but on a bigger scale. Bigger shows, more people, more albums sold.  For instance this tour we’re doing, this place is like, 1,700 or something, London will be about 5,000.  I’m hoping we can move to doing arenas and outdoor ampitheatres and whatnot. On this tour, we’ve so many dates very close together, so I’m really surprised we’re doing as many tickets as we are, it’s a great tour and the majority of it has been sold out.  In total I think we’re playing to about 28,000 people which is the biggest tour we’ve ever done and we’re reaching more people.  The last headline tour we did was only Glasgow, Manchester, Birmingham and London and all of those were sold out.

What’s been the biggest highlight so far?

Download Festival and selling out Brixton early last year – that was amazing. That’s a venue that all of us wanted to play and then we found out we had sold out on pre-sale, that was really cool.  We actually recorded a DVD there that’s finally coming out, in time for Christmas, I think.

You’ve been together as a band for some time, what’s the secret to your longevity? What tips would you give to up and coming bands?

We’ve never had a line-up change, which is pretty strange for a band of our age that’s been around for this long. Some might say that what we did was reckless or stupid, but we just put all of our chips on black.  We moved to America with nothing and just managed to scramble our way to something.  You’ve got to be, like, if you want to do this, it’s what you do and you have to devote a few years of your life to nothing else.  You have to be very prepared that you’re going to wade through shit for a long time before you get anything.  You’re not going to make any money and everyone will tell you that you should have stayed in school, should have got a job … just persistence and hard work.

Wow. Thanks for your time, James.  Great answers, great tats and it was also a great show!  Check out the Asking Alexandria sites below, don’t forget they’re about to head out on ‘The Moving On Tour’ with The Family Ruin, Blessthefall, Chelsea Grin and Upon A Burning Body across North America and Canada.

Vik and James Cassells

www.askingalexandria.com

www.facebook.com/askingalexandria

You can place pre-orders for the two-disc ‘Live From Brixton and Beyond’ here – http://http://www.sumerianmerch.com/ and catch the trailer herehttp://http://youtu.be/BdJDdPNMpAk

Review of The Family Ruin – ‘Dearly Departed’

Fans of York-bred rockers, The Family Ruin (formerly known as The Fallen) have been waiting a long time for this album. Recently signed to KBB Records and currently about to head off on a tour of the USA with Asking Alexandria, it seems as though the band are hungry to get out on the road and destroy their American shows with as much energy and enthusiasm as possible.  I saw them back in the summer and they kicked some metal ass, so I was quite keen to grab a listen to their debut.

TFR Dearly Departed art

Dearly Departed is a full-on alt-metal fest, 14 tracks of bruising rock that sounds very current for 2014. Perfectly chosen opening track, ‘Bring Out Your Dead’ is a stomping tune, full of big riffs and vocals, although I did have to check whether I had actually put the right record on – there is, in my humble opinion, more than a striking similarity to pretty bad-boy rockers, Glamour Of The Kill on this track.

I had high hopes for third track, ‘Cirque De Sin’ – who wouldn’t with a name like that?! It didn’t disappoint, from the minute the speed riffs kick in, along with Johnny’s huge vocals, it just makes you want to get up and destroy stuff, although it seemed a little short, but maybe that’s just because I was jumping around whilst it was on ….

‘Let’s Go’ (which hit number one on the Sirius XM Octane chart within three weeks of release) is easily one of the stand-out tracks of the album for me. It has everything, great vocals, awesome guitars and a chorus that will stick in your brain long after you’ve finished listening to it.  I like the lyrics, I just like everything about it and you won’t be able to keep still whilst you’re listening to it.

Other stand out tracks include ‘Battle For The Sun’ – another epic track with lots of screaming vocals and huge guitar riffs, the absolutely beautiful ‘Haunting’, which is pared right back, heavy on the piano and really showcasing the vocals and also the awesome ‘Filth’. Not sure what I can say about that one, other than I can see it being a massive hit in the clubs.  A memorable hook, massive vocals, dirty lyrics … it’s just a huge track and probably my favourite.  ‘Let It Burn’ is also immense and will probably become an anthem for TFR.

Also, after listening to ‘Wake Up’ several times in a row, wracking my brain to think who it reminded me of, I realised that the riffs are a little bit Black Veil Brides. Obviously it’s a unique song, but yep, there’s definitely a bit of Brides’ influence in there!  Have a listen and see what you think!

Last track ‘Sonder’ has overtones of Bring Me The Horizon at the opening and it’s a great song; melodic, thoughtful and absolutely the perfect end to a an absolute belter of a debut album, which you can purchase from iTunes.  Do it – this is one that you definitely need in your collection!

www.facebook.com/TheFamilyRuin

I interviewed the guys back in June this year – check out the link if you fancy a read –

https://queenofrock75.wordpress.com/2014/09/23/interview-with-the-family-ruin-following-voodoo-rocks-festival-june-2014-london/

The family ruin band pic

BAND:

Johnny Mennell – Vocals

Craig Robinson – Guitar and Vocals

James Langley – Guitar

Dom White – Drums

Josh Adamson – Bass

TFR USA tour pic 

TRACK LISTING:

Bring Out Your Dead

Leech

Cirque De Sin

Let’s Go

Us Against The World

Battle For The sun

Haunting

Wake Up

Filth

Broken Hands

Let It Burn

My Addiction

Where We Fall

Sonder

Interview with I Divide, Southampton, 11.10.14

It was with great pleasure that I got the opportunity to have a chat with three fifths of Exeter rockers, I Divide, before their show with The Dirty Youth back in October.  Standing in a freezing car park next to a dodgy looking church, Josh (guitar), Henry (guitar) and Kristen (bass) waxed lyrical about festivals, social media and what their plans are for world domination.  Or something like that … enjoy!

I Divide band pic

How did you enjoy your appearance at the recent alcohol and drug-free Butserfest?

Josh:  Yeah, it was awesome.  We’d never been there before so we didn’t really know what to expect – I’d seen some stuff online but yes, we really enjoyed the set and it was a good crowd.  We hadn’t played for a few weeks, so it was just nice to get back on stage and play a show.

You also did an acoustic set, which was awesome and one of the best sets of the day. How was it for you?

Josh:  It was cool.  Although we’ve done some acoustic sets before, we never really done one in front of a live audience as it’s normally for radio or for a video interview. To do it in front of a little audience was really nice!

Henry:  I didn’t expect there to be that many people there, really.  Walking outside and seeing the queue and realising they were for us …

Awesome. So, you’ve been supporting the Dirty Youth on their UK tour, has it been enjoyable?

Henry: We get on with them really well, we’ve had a few messy nights out with them but it’s been a really fun tour over quite a lot of dates. You get a mix of tours where some you only do a handful of dates across bigger cities, but it’s nice to actually go to a few more places on this one.  We’re covering the span of the UK, we went up to Aberdeen …

I’ve heard that the Scots like to party …

Henry:  We love the Scots!

Josh: They’re amazing!

You’ve had a pretty good year, really – you’ve toured with some big names and you’ve done Takedown and Butserfest … what’s been the highlight so far for you?

Henry:  Belgium was pretty cool, we played a festival over there with some awesome bands like Heart in Hand, Anavae, Carcer City …

Josh:  Loads of British bands!  We got to play with some big American bands over there as well though.

Henry:  We haven’t done a lot of European touring, so it was nice to go over there and play to a big crowd.

Your debut album, ‘Last One Standing’ is excellent. Have you had positive feedback?

Henry:  Thank you!  Yes, we’ve had loads of good feedback so far.

I Divide album artwork

You released an EP before that, there was a bit of a gap in between the two?

Josh:  Yes, not quite two years in between them. We released ‘What’s Worth More’ in 2012, it was nine tracks, seven ‘proper’ songs and two instrumentals.  A few of us played in a band before and some songs on that CD were written before we really, properly formed I Divide.  What we began with was to get some music out there and some songs to play live, whereas ‘Last One Standing’ was us sitting down and writing an album, recording it together and that was the one we wanted as our debut album.  To answer your question, the reaction has been wicked and we’ve had some really good reviews for it.  It did really well in the iTunes chart.

Henry:  We didn’t expect that, really.  We weren’t sure what to expect!

What’s your favourite track to play off of the album?

Kristen:  I like ‘Tell Me Something’.

Henry:  I really like ‘Tell Me Something’ as well.

Josh:  I really like quite a few to play live – ‘Runaway’, we’ve been playing that for quite some time, as we wrote it quite early on. It’s a really bouncy song, really energetic, it’s the one that makes me sweat the most!  I really like playing all the songs off the album.  ‘Monster In Me’ is a bouncy one and ‘I’m Not Leaving’ is a good one to jump to.

Kristen:  It’s been good this tour – we’ve got a whole new set and everyone’s singing along, they know the words.

(At this point Kristen is stretching like a pro-athlete in the car park and it’s clear that they take this VERY seriously …)

Josh:  When you play a load of live shows in a row, we always warm up anyway but …

Henry: The last few nights I haven’t warmed up and I regret it quite a bit now.

Kristen: We’re getting older now, as well.

Oh, come on – you’re only 23! Anyway, moving swiftly on to a boring question, who are your biggest musical influences when you write and who does most of the writing?

Henry:  I would say Josh, mainly.  He writes a lot of the lyrics and the music.  I just kind of come along and get my guitar and start writing lead stuff.

Josh:  I’m not the best guitarist in the world, but I love song-writing.  I’ll sit down and write the rhythm, the lyrics and the melody – obviously I’ll get Tom involved for the melodies and the lyrics, then we’ll grab these guys and get the instrumental stuff put in.

You put a lot of pictures up on Facebook and you use twitter too, do you tend to interact with your fans a lot, or do you not really bother? You seem to be quite sociable and open to people.

Josh:  We try and put a lot of effort in to talk to our fans.  We do a lot of stuff on social media and spend a lot of time trying to write back whenever people tweet us and message us, to make sure people’s questions are answered and they feel like they have that interaction with the band.  I’ve been speaking to a lot of people tonight who can’t believe that we message them back!  Obviously it’s getting harder and harder as we progress as a band and we get more and more messages.  We were just chatting to some guys at the bar, one’s been a fan of the band for ages and wanted to buy us a drink and every night that we play a show we always go down and just talk to everyone, take photos with everyone and get involved and make sure that everyone who wants to meet us at a show can definitely meet us; we don’t ever want anyone to go away and say that they didn’t get the chance.

Well, that’s going to get harder as your popularity increases! Let me throw in a question to mix things up a bit.  Who’s the biggest pain in the arse on tour?!

Josh:  Henry’s the biggest drinker.  We went out in Sheffield the other night and Henry got himself into a bit of a state where he couldn’t really stand up and we had to carry him halfway across Sheffield to get him back!  He then decided to sleep on the floor of the van.

Henry:  It was £2.50 for triple vodka and cokes with free shots and the Jagerbombs were £1.00.

Kristen:  To be fair, we were all sick that night …

That brings me neatly to the next question. What are the best and worst aspects of what you do?

Henry:  It’s great to get out and meet people, to have connections with the music and stuff.  It’s an honour.  We had fans who came from Cornwall going up to Aberdeen to see us and they spent two days travelling. Sometimes people don’t understand how much it means to us to see people from home when you’re this far away.

Josh:  One girl has travelled from Paris today to see us, she flew in to London and got a train down here.  We were like, we had better play well!  There aren’t many bad aspects to it though, apart from missing home, that’s the only difficult thing.  When we were away in Belgium I had some family stuff going on and I found that quite difficult.  Being away from my girlfriend is always hard.

You’re playing the Zombie Ball at Halloween – what does it mean to you to be playing alongside bands such as Skindred and Glamour Of The Kill?

Josh:  Skindred are getting so big now, it’s ridiculous. It’s going to be sick, we’re really looking forward to that show.   We’ve always loved playing shows on Halloween because it gives us an excuse to dress up as absolute idiots and Skindred are one of my favourite bands to watch live. I got given a ticket to see them down in Exeter and now I’ve seen them about ten times.

So what’s next and what’s your long-term plan for the band?

Kristen:  Just getting our name out there, and to start writing for the next album.

Any festivals lined up for next year?

Josh:  That’s kind of where we are – at this point in time, over the next few months we’ll be looking to get festivals.  I was saying to Kristen earlier that next year is just going to be the year where we do try and get on to every festival going.  We’re obviously going to be thinking about album number two and doing bits and pieces for that, but we’ll be touring as much as we possibly can and just keeping busy.

Do you have any longer-term goals or ambitions that you want to cross off of your lists, or do you take things as they come and enjoy it?

Josh:  We all want to travel the world with the band – if we can get to the stage where we get enough international followers to make it worthwhile enough for us to fly around and see the world doing this, we would be happy.

Henry:  If we make it as far as Australia that would be awesome.

Indeed, it would. Finally, a question I should have asked at the start – how did you arrive at the name I Divide?

Henry:  We get asked that loads, but there is no answer – we need to make one up.

Kristen:  We need some kind of epic story …

Josh:  It’s lyrics from a Brand New song, actually.  We came to the decision because we all came up with about thirty or forty names each that we thought were good, put them into a massive list and took it in turns to cross names off.  We wanted something short and snappy that didn’t really mean much else that people would quickly associate the words with us.  We really need to make up a better answer for this question!

Well, I had a blast chatting to these guys and although they’re not currently touring as such, they have just announced a show on 28th November at the Zombie Hut in Corby – check their Facebook page for more details and tickets.  You can also buy a physical copy of their album from the usual outlets, or online at iTunes.

www.idivideband.com

www.facebook.com/idivideband

Check out the videos for ‘I’m Not Leaving’ and ‘Follow Me’ here –

http://youtu.be/YEcA_EsnBek?list=PLsqIiBny50NvR1K_bTTpJT-AwJKO75yb1

http://youtu.be/rNobv67EEnQ

Interview with Funeral For A Friend at Voodoo Rocks Summer Ball, June 2014

Those Bridgend boys Funeral For A Friend are back with a vengeance, having just announced a headline tour next January, to coincide with the release of their new album, ‘Chapter and Verse‘.  Back in June, they had top spot at the prestigious Voodoo Rocks Summer Ball at Electrowerkz in London and I was lucky enough to interview them after they smashed their set.  So, in case you missed it the first time around, sit back, relax and have a read!

FFAF pic

Did you manage to catch any other bands playing tonight?

Pat:  Yeah, I managed to catch two songs from The Dirty Youth – they’re from Wales so, big up The Dirty Youth.  It’s not massively my type of music but you have to support good, positive people who just do it for the love of the music.  They’re out all the time working hard and that’s what touring is about – people paying their dues and cracking on and they’ve been on it from the get-go.

Your sixth studio album ‘Conduit’ came out last year, was it well received?

Pat: It got to number two in the rock charts in the UK and we broke the top 40.  It was a big success and surpassed expectation.

You’ve got a huge number of fans on Facebook so you must have had some really good feedback on social media?

Pat:  Yeah, I think YouTube views and comments were good.  There are a lot of avid, serious Funeral fans that give our videos and singles time, so yes, it’s always good.

You did the ‘Hours’ headline tour back in April, was it sold out?

Pat:  Yes, every date was sold out.

Do you prefer playing live or being in the studio?

Pat:  I think it’s a mixture.  When you’ve done your fill of live shows, you’re stoked on new material that you’ve been writing in dressing rooms and meeting up at people’s homes and when you go into the writing process, you fully launch yourself into it.  For us, on the new record (the seventh album) we just set aside two weeks and smashed right through it.  It’s in the bag and it’s coming out, probably early next year.

FFAF new album pic

We’ll look forward to it! What do you listen to when you’re travelling?

Pat:  We’re going to go from extremely cold to extremely hot here, but ‘m going to say Predator, Rude Kids and a lot of drum related things that I like to listen to, as well as hard-core and metal.  It’s a massive varied spectrum of all different musical tastes.

Let’s talk about the Wrexham Comic Con (FFAF are performing at the after party) …

Matt: We were asked to do it in April, but we were already on tour with our shows.  Jamie, the guy that runs it was talking about next year, but then he put on a second event; we could do the date, so yes, we’re going to be playing to a shitload of geeks.  We’re looking forward to it – we get to hang out at Comic Con all day!

Voodoo Rocks FFAF

Funeral For A Friend with myself and Natalie Conway from Red Dragon Records, Voodoo Rocks Summer Ball, June 2014 (Photo courtesy of Emma Radwanski, Emma Radwanski Photography)

You’re going to be doing some smaller festivals, like NASS, Godiva and those sorts of events this year; what are you aiming to achieve in the next couple of years?

Matt: There’s no real goal or plan, we just want to play.  There’s no world domination theory.  We love playing, especially to people who give a fuck about what we do.  We never really set out with any kind of goal to be big or successful; the success we’ve had has come through people wanting to come and see our band, which is awesome.  We’ve been a band for 13 years now and like everything, there have been peaks and troughs.  We feel privileged that people still care enough about what we do to come and support us.  We can’t ask for more than that, really.

You’ve been at it for so long, what sort of advice would you give to any up and coming bands that may be struggling?

Matt: Don’t set out with a goal to make a lot of money, be successful and sell a lot of records.

Pat: Further than that, don’t set out to be in a band, set out to be good with your instrument; be passionate about singing, or be passionate about playing the drums.  Don’t buy an instrument or kit to go and join a band, it’s stupid.  Have fun playing, fall in love with your instrument, your voice, yourself and then be in a band.

Matt: Do it for the fun of doing it, for the love of music.  As soon as you write for anybody else, rather than yourself, then you may as well just stop.

Pat: Trust me, you’ll stop loving it when you get to 22 and realise you can’t play your instrument.  Get good and then be in a band, otherwise you’re saturating an already over-saturated market, if you’re shit and you can’t play music.

Well, you guys should know, you’ve survived the digital revolution …

Matt: So many people are doing bands now that have never toured, that have never put the work in but are becoming successful.  In my eyes, if you want to be in a band, playing live shows and getting out there is the first thing you should be looking at; it’s the key thing.  If you’re not good at what you do and you can’t play live, there’s no point in you going any further.

Pat: The more you need to rely on digital aids, the more you mug yourself off.

Matt: God, anybody can make a record now.  All the shit bands will fall at the wayside and eventually we’ll be left with the good ones …

What do you think about the changes to YouTube? Do you think it will have a big impact on you?

Matt: To be honest with you, little by little everything is being taken away from the independent sector anyway.  Anyone that is trying to rape an artist’s ability to progress and get their stuff out to more people … it’s terrible.  It’s a misguided way to try to claw money back from an industry that’s trying to figure out how to operate now, with the way technology is moving forward and the way people consume music.  For me, one of the things I like currently is the resurgence of people getting into vinyl again.  It actually makes you a part of something, you have to invest time into a record and you end up caring about it.  You can download a track and just forget about it the day after.

Well, although rock has been outselling pop in the UK, a lot of people are saying that 2014 will see the death of the album. Do you agree?

Matt: I think that within this kind of music, albums will always be something that people will be into, even if it’s just collecting them.  I collect vinyl, as do a lot of my friends and even the kids coming to our shows.  If you’re, say, Coldplay, or a proper mainstream act, it might change drastically in terms of physical sales of records, but for metal and hard-core and punk it will always be there.

Pat: Thank God you can’t download merch.

Do you sell a lot of merch?

Pat: It’s what keeps bands like us going on the road.  When records cost £250,000 to make, bands aren’t going to see anything off of that. When you sell out shows and you’re selling merch by the bucket, that’s where you make a little bit of money, but even then it’s percentages.  As long as a band can stay on the road doing what they love, it’s all good, money is not the biggest thing.

It’s sad, though, because back in the day, record sales were everything.

Matt: We’d like to go back in time and be immersed in that situation again.  I got into records in the nineties so for me it was the last decade where music actually meant something.  With my generation I think there’s still a need to be part of something physical in terms of music, whereas kids who are brought up in this generation, they’re the iTunes and Spotify generation; it’s all done on the click of a button.  There’s no hard work involved and no emotional investment in bands any more.

Do you have anything that you would like to say to fans that have supported you all the way through your journey so far?

Matt:  Just, cheers.  We really do fucking appreciate it.

The new Funeral For A Friend album is released on 19th January 2015 via all the usual channels – interestingly enough, as well as vinyl and CD, they’ll also be releasing a cassette version!  You can catch them live – check out their website for the most up to date gig listings.

FFAF tour poster

www.funeralforafriend.com

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Review of Sansara’s new EP, ‘Defiance’

Bournemouth rockers Sansara have had a funny old time over the last 12 months or so, with some changes in their line up making for a bit of an unsettled first half of the year. However, ‘Defiance’ is their third EP and it’s a hotly anticipated release; they’ve been a bit quiet on the local scene whilst concentrating all their energies on the recording process.  I have to say, it’s everything I hoped it would be and more – I haven’t stopped listening to it since I got it …

Sansara Defiance pic

When the first chords of the opening track, ‘Stronger’ kicked in, followed by Tom’s sublime vocals, I knew I was in for a treat with this EP. ‘Stronger’ is the perfect opener, a huge track that could well become anthemic over time.  Drums, guitar, bass and vocals seem to come together almost effortlessly, the chorus is catchy and memorable and I just love it.

Second song ‘Refine Your Mind’ starts slowly, building to a bruising chorus, again sounding tight and accomplished. I love the lyrics; in fact I like everything about it.  So far, this is proving to be my favourite track on the EP.

Third offering ‘On Your Own’ is another solid slab of rock and closing track ‘In Your Hands’ is an absolute belter – Tom’s vocals are outstanding on this song. From the super-long note at the beginning to the very last note, it’s a real crowd pleaser.

Sansara band pic

Sansara, l-r Tom Sawyer, vocals; Dee Aldwell, bass; Mike Rigler, drums and Sam Hughes, guitar

New bassist Dee Aldwell appears to have settled in to the role with ease and Sansara now seem to be 100% complete and focussed on the task at hand; indeed, I find it hard to be at all critical of ‘Defiance’. Sansara have matured and grown with each of the EP’s that they’ve put out; they now seem completely at home with the music they’re making and the line-up that they have.  If I had to find fault with something, it would be that I wish that they would consider putting out a whole album of songs, because they have the ability and the talent.  Put simply, four songs isn’t enough.  But that’s all.  It’s blatantly clear that, whilst Sansara’s foundations may have been a bit shaky at the start of this year, they’re certainly heading out of it stronger than ever and 2015 may just be their year.

If you haven’t yet got a copy of ‘Defiance’, make sure you get one as soon as – don’t just take my word for it, hear how great it is for yourself! Don’t forget that the hometown launch show is THIS Friday, 3rd October, at Bournemouth’s home of metal, The Anvil.

In the meantime, to whet your appetite, check out the video for ‘Stronger’ here – http://www.videscape.com/watch?v=aq9y8hfpc0cv9zw5

 

Track listing –

Stronger

Refine Your Mind

On Your Own

In Your Hands

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Work hard, play hard, engage or die …

So.  I’ve just had a bit of a rant over on Facebook (no change there), but it actually made me so cross that I actually felt I had to write a ‘piece’ about it.  Of course, it’s only my humble opinion, but it makes sense to me!

Bands that quit when the going gets tough.  There.  I’ve said it and I’m almost foaming at the mouth again just with those eight words.  I went on to a band’s Facebook page this morning, only to discover that they have changed their name and started again.  Fine, no problem with that.  The pinned post at the top of the new page, however, was a great long diatribe about how they’ve given their all for however many years but feel that they can’t continue, blah, blah, blah.  It was a self indulgent whine about how hard it is these days, what with venues closing up and down the country, the music scene dying off and basically slating the very people who have kept them going, because they’re moaning that no-one ever came to see them.  It may not surprise you to learn that I have some thoughts on this.

Firstly, your music was probably mediocre anyway.  You can get quite a long way with the support of a few hundred fans even when your music is crap.  It’s called ‘loyalty’ and these are the people that will come out and see you, buy your tee-shirts and wristbands and spend money they haven’t got on travelling to some godforsaken hole in the middle of nowhere, even if they know in their heart of hearts that actually, you’re not that good.  Hey, you might improve and they’ve already invested time and money, so they’re sticking with you because they feel part of something and are glad to be involved from the start.  I know, because I have done this many times (and just occasionally, I’ve backed a winner).

Secondly, everybody accepts that the music scene, particularly rock and metal, is changing.  If it doesn’t adapt to roll with the way the music industry as a whole is evolving, it will die.  All those millions of fans (yes, they’re still there, contrary to popular belief) don’t want it to die, so they keep buying the music and merch.  If the band is good enough and fully committed, they will make the effort to get off of their sofas and come and see them.

This brings me to the heart of the problem.  I don’t consider myself to be an expert in all things music, nor do I claim to be some kind of social media guru or have a degree in the music buying and gig-going habits of the general public.  I do, however, listen to a lot of music, spend a lot of time on social media, talk to a lot of musicians and have some contacts in the music industry who like to wax lyrical about every music fan’s favourite topic these days.  So, based on my experience and in my humble opinion, I’m just going to put this out there.  Bands that quit – YOU’RE PART OF THE PROBLEM.  There.  I feel so much better …

These days, musicians have to roll their sleeves up and get their hands dirty.  They need to get on the phone, become a keyboard warrior, engage to a new level with their fans and basically work their fine arses off just to exist in the world of rock and metal.  Yes, it’s hard.  Yes, venues ARE closing up and down the country (and I’m not commenting on that specifically – it’s a whole other article), but I see it this way; when I go to a gig with a band who is good, whether it’s a well-known and loved venue or some flea pit that nobody has ever heard of, they will pack it out.  If it is a band that is, at best, mediocre and who are giving a half hearted effort (and who haven’t bothered to create a buzz around them and build a fan base online as well), of course it’s not going to be busy and they won’t get invited back.  Word will spread and yes, they will find that nobody comes to see them.  Stick with me, I do have a point and I am getting to it.

My memory of the nineties ‘heyday’ is hazy, but I don’t recall there being quite so many bands who were on the local gigging circuit.  Also, musicians seemed to stick with one band, for the most part and worked bloody hard at it (and played hard too).  I don’t remember many crap bands, although I’m sure there must have been some, but the gigs that I went to were always pretty much packed.  These days, there seem to be bands coming out of our ears and sadly, some of them should never have picked up instruments in the first place.  Don’t get me wrong, it’s great that virtually everyone has the opportunity now and feels able to give it a go, but frankly, it’s a cut-throat business and it’s over-saturated with new music.  If you don’t take it seriously, or you’re in it for the money, then you may as well hang up your drumsticks because you’re never going to make it, unless you get through via some steaming pile of excrement that passes for a talent show these days.

I’m going to name some bands here – I have chosen them purely because I have seen first-hand how hard they work to keep their heads above water.  So, bands such as Heaven’s Basement, The Dirty Youth, and Feral Sun actually work their arses off.  They cane their social media, making sure they engage with their fans – you can knock me for saying that all the time, but it’s the only way to go these days.  They make a superhuman effort to make sure that they keep selling their merch, because let’s face it, that’s where the money is nowadays, it certainly isn’t going to come from album sales alone now that we’re in the age of the digital download.  The Dirty Youth have successfully got people involved with going down the crowd-funding route.  Feral Sun have risked everything by self-financing their debut album to get it out there into the public domain.  Most importantly, each and every time they get up on that stage, they make sure they give it 110%; and on the rare occasions that they don’t, they acknowledge it and make damned sure that they do it better the next time.

All of these bands started from nothing and whilst they’re not yet at the top of the mountain, they’re making sure that they have everything in place to be able to reach the top whilst other bands are dropping off around them.  Crucially, they are also extremely approachable with fans and will bend over backwards to make a gig an experience that people will remember and want to repeat.  Music has become a customer service industry and if you’re not a people person, then you need to become one, or make sure that the rest of the band are.

There’s so much competition out there these days that bands need to be doing it bigger and better than everyone else.  If you turn up to a gig, have faces like smacked arses, don’t engage with the people that support you, play your set in a somewhat mediocre and uninspired fashion and then leave without seeing any other bands or speaking to your fans, you don’t deserve to be taking that slot.  Give it up to someone who is hungrier for it than you are, because they’ll give it everything they have to try and get to the top.

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