Category Archives: Entertainment

Review of Download Festival, 10-12 June 2016

Yet again, the rain came, the mud grew ankle deep and tents got washed away in the campsites.  The traffic queues for the day ticket holders were appalling and people moaned about the line up.  I’m not entirely sure why we still put ourselves through it every year, but it’s like some sort of addiction; Download just has to be done.  It’s one of those quintessentially British things, like having to wait in a queue (don’t mention the toilets), or stoically paying a fiver for a pint …

Download_2016_lineup_WEB_1000px_wide

Anyhow, as I have always said, it is ALL about the music.  Except … it really wasn’t.  Last year, I didn’t review the festival because we had an exceptionally good time with friends and it was all about networking and enjoying the social side.  This year, we didn’t really see any friends, we didn’t see many bands, but … well, it was still good.  The Mockney and I sunbathed, we had a really good laugh and I made some new friends.  I will tell you about the bands that we did see … but here are some numbers to ease you in gently.

Number of …

  • Miles to get there and back – 404
  • Trips between the campsite and car park – 8 in total
  • Hours that it took to put the new tent up – 2
  • Beers consumed whilst trying to put said tent up – 6
  • Bands that cancelled their performance – 3
  • Bands that I wanted to see – 32
  • Bands that we actually saw – 11
  • Pints of lager/beer/cider consumed – Somewhere between too many and not enough
  • Decent nights’ sleep – 0
  • Pounds spent on mediocre, nutritionally bad food – approx. £65
  • Times we have been to Download – 7 between us (10 if you count ‘Monsters of Rock’ back in the day)
  • Times we got rained on – oh, please – I’m still trying to dry out now. Standard.
  • Episodes of tent springing a leak – 0 (thanks, Go Outdoors!)

Phew.  Now, let’s get to the serious bit …

raven eye

RavenEye on the Zippo Encore stage, 10 June 2016 – Photo courtesy of Dirty Rock Photography

First band to be seen on Friday was RavenEye (7/10), kicking things off on the Zippo Encore stage.  This was their first time at Download and many people hadn’t seen them before, hence the singer advising, “We can pop this cherry together”.  They seemed nervy to start with, but soon got into the swing of things, with a big groove and an appreciative audience.  A swift beer stop and a trek over to the undercover Maverick stage saw us in front of Zoax (8/10), fresh from an appearance at last weekend’s Camden Rocks Fest.  I can’t remember if it was raining at this point, but even if it had been, this band still would have packed out the considerably sized tent.  Blatantly pleased to be there, they belted out quite a few bruisers but also slowed it down with new track ‘The Wave’ from the newly released, eponymously titled album.  A pleasing set, with Adam singing from the crowd, rather than in front of them.  They loved it and so did I.

zoax

Zoax on the Maverick stage, 10 June 2016 – Photo courtesy of Dirty Rock Photography

Next up were The Wildhearts (10/10).  A band that is very close to my heart, one of my earliest memories of being a rocker is playing ‘Earth vs The Wildhearts’ to death.  Having seen Ginger play a very different set in Camden last week, it was a real pleasure to hear such songs as ‘I Wanna Go Where The People Go’, ‘TV Tan’, and ‘Suckerpunch’, as well as the ever awesome ‘Caffeine Bomb’, which was dedicated to the late, great Lemmy.  Energetic, musically tight and humble, The Wildhearts absolutely knocked it out of the park.

the wildhearts 2

 

The Wildhearts on the Maverick stage, 10 June 2016 – Photo courtesy of Dirty Rock Photography

With a few hours to kill and the rain not letting up, we spent a couple of hours chilling out undercover in the guest area before stopping at the Lemmy stage to see Rammstein (8/10).  I don’t have too much to say about their performance; if you have seen them before, you’ll know how compelling they are on the live stage.  Although they had some technical issues, they blasted through favourites such as ‘Reise, Reise’, ‘Seemann’ and ‘Du Hast’.  If you haven’t seen them, put it on your bucket list as everybody should see them at least once.  This was my first time and I wasn’t disappointed.

Saturday dawned with bright sunshine and a balmy temperature; we were slow to get going, so the first band we caught sight of was Inglorious (6/10) on the Encore stage.  They were one of the bands that I had marked as a must-see, but to be honest, I wasn’t that enamoured with their set.  To be fair to them, we were hungover and hungry; we also bumped into a friend, so I didn’t give 100% focus.

Turbowolf

Turbowolf on the Maverick stage, 11 June 2016

A band that did manage to keep my attention was Turbowolf (8/10) back at the Maverick stage.  I couldn’t tell you any of the songs they played, only that they gave 150% in a mad, whirlwind of a performance that went down extremely well.  I’ve seen these guys before, but they’re so good live – always worth catching if you can because they rock hard.  It’s worth it just for the keyboard action!

sixx AM 2

Sixx:AM on the Lemmy stage, 11 June 2016 – Photo courtesy of Dirty Rock Photography

Band of the day for me was Sixx:AM (9/10) on the main stage; the only reason they didn’t get a 10/10 is because I fail to see the relevance of two scantily dressed backing singers whose vocals we actually couldn’t hear.  Anyway, they smashed it out of the park with tracks such as ‘Rise’ and ‘Life is Beautiful’, also showcasing new songs from the recently released album, “Prayers For The Damned”.  Loved their set, can’t wait to get the new album and I hope that I get to see them again soon – outstanding.

It’s no secret that I am a massive Rival Sons (8/10) fan – I have seen them many times and I love their music.  However, much as I really wanted to give them top marks, I just can’t.  They looked sharp and they sounded almost perfect, but it appeared to be lacking something that I can’t put my finger on.  Don’t get me wrong, it was a great set, with some real crowd pleasers such as ‘Electric Man’, ‘Secret’ and ‘Pressure and Time’ but … I wasn’t feeling it as much as I normally would. Perhaps it was because I haven’t yet got the new album, “Hollow Bones”, and they played a couple of songs from it, including the title track. Maybe I’d just had too much sun at that point. I can’t wait, however, to get my paws on that album and I look forward to seeing them with Black Sabbath on their farewell tour next year.

Rival Sons

Rival Sons on the Lemmy stage, 11 June 2016

Which brings me neatly on to the Saturday headliner.  After I had just caught Megadeth’s ‘Symphony of Destruction’, the clouds were darkening ominously once more.  We experienced what can only be described as a cloudburst shortly afterwards and changing into dry clothes didn’t cheer me up.  By the time Black Sabbath (9/10) exploded onto the stage, my mood was blacker than the sky.  Quite fitting,  then, that they should kick off with ‘Black Sabbath’.  That iconic intro ratcheted up the excitement levels in the crowd and the atmosphere in the arena was intense as Ozzy did his usual manic run from one side of the stage to the other.

Black Sabbath

Black Sabbath on the Lemmy stage, 11 June 2016

They were clearly enjoying themselves as they cranked through a surprisingly short (only 15 songs), but nostalgic set.  The soggy crowd didn’t seem to mind the downpour, moshing along to classics such as ‘Snowblind’, ‘War Pigs’, ‘Rat Salad’ and ‘Iron Man’.  The outpouring of affection for Birmingham’s most famous rockers almost  brought a tear to my eye, as they encored with ‘Paranoid’ and the arena erupted. We left at that point, but I believe that they ended a triumphant set with the introspective “Zeitgeist”, perhaps a strange choice.  Step up and pay your money, ladies and gents – ‘The End’ farewell tour tickets go on sale on Friday 17th June at 9am from Live Nation.

By the time Sunday limped around, we were pretty broken and quite looking forward to going home; having already packed the car, by 11 o’clock it was pouring down again and we were pretty miserable.  We did manage to catch The Raven Age (8/10).  They absolutely killed their set, which I thoroughly enjoyed, although I’m baffled as to why the singer kept disappearing every five minutes.  Hard, heavy and sweaty, every single member of this band played and sang their arses off and were rewarded with a very appreciative audience.  I’ll definitely catch them again if I have the chance.

the raven age

The Raven Age on the Maverick stage, 12 June 2016

Last band of the day for us was The Temperance Movement (9/10); a band who I have followed with interest over the last couple of years.  Having grown exponentially in fanbase and confidence, TTM played a blinding set on the Lemmy stage (last time I saw them, they played the Zippo Encore stage), it’s just a shame that there weren’t as many people watching them as there should have been (let’s not mention the day ticket traffic).  My favourite song, ‘Midnight Black’ had me dancing in the mud!

mud!

That’s it!  Bands I didn’t get to see, who I heard good things about included Skillet, Savage Messiah, Santa Cruz, Reigning Days, Juliette and the Licks, Cane Hill and of course, the mighty Disturbed.  Gutted I didn’t see them.  I also hear that a little band called Iron Maiden went over extremely well on Sunday evening …

I moaned about the mud and the severe lack of straw to soak it up, but I really do have to hand it to Andy Copping; the Download organisers continue to learn from things that have gone awry in the previous years and  tried to put it right.    I do think that the whole event could be moved to later in the year to try and avoid the ‘Drownload’ syndrome, but that’s a whole other article … I’ve already booked a hotel for next year so bring it on!

ASP at the Folkestone Harbour Festival, 16.08.15

The sun was shining, the goat curry was simmering, the beer and cider was flowing and the good people of Folkestone had dutifully turned out for the second day of the Folkestone Harbour Festival.

Held in the Old SeaCat Terminal right on the harbour, cheek by jowl with the lorry park, there was entertainment for the young and the young at heart. Folkestone Owl Rescue had brought some of their finest residents along; they basked in the summer sunshine, quite happy to be stroked and fussed over, and there were also  some vintage vehicles on display, courtesy of the Kent Classic and Sports Car Club.


There were rides for the little ones, the obligatory fire engine was present (which the kids were loving) and of course, a lovely, large marquee bar. Not to be outdone by the array of local ales on offer at just £1.50 a pint, the food stalls were vying for business; those who had worked up an appetite could choose from curried goat, chocolate churros, burgers, ice creams, hotdogs and more.  The focal point of the circle of entertainment was the music stage, sponsored by Pentland Homes and Academy FM.

My primary reason for standing in the sun with a Summer Fruits Strongbow (it’s a dirty job, but someone had to do it) was to see local Thanet band, ASP.  A four piece classic rock and contemporary covers band, ASP have recently been taking the area by storm, playing such great venues as the Churchill Tavern in Ramsgate, and the most excellent Globe in Hythe.

Following the fantastic 80’s cover band, the A-Tees (which might have seen me and my girls dancing behind the beer tent!), ASP took to the stage with the ever popular Status Quo track ‘Softer Ride’, a crowd pleaser if ever there was one. They romped through cover after infectious cover, including the beautifully executed ‘Coming Back to Life’ by Pink Floyd.  When the smoke machine obliterated the band during the Quo’s infamous ‘Rocking All Over The World’, they played bravely on, eventually emerging back out into the sunlight with not a note missed.

The iconic Free track ‘Wishing Well’ went down a storm with the diverse crowd before penultimate track ‘Sweet Child ‘O Mine’ segued neatly into a finale of Hawkwind’s ‘Silver Machine’.

Much fun can be poked at covers bands these days, but ASP are a rare breed indeed; they cover songs from many different decades, including tracks by bands like Snow Patrol and even the much lauded guitarist, Rory Gallagher. Their style is all their own though, and they marked a triumphant ASP stamp on their 45 minute set.

ASP’s next gig is on 21 August at the Ypres Tavern, Sittingbourne. Check them out, they really do rock!

All in all, the Festival was everything that the organisers could have hoped for – I would have liked to have seen it maybe a little bigger but with the proceeds going to the very worthwhile cause of the RNLI, you can’t ask for a better way to while away a weekend in the sun and the organisers of the fest are to be congratulated on a job well done.

http://www.thebandasp.weebly.com
http://www.folkestoneharbourfestival.co.uk

Album review – Dendera “Pillars of Creation”

Review – Dendera “Pillars of Creation”

It’s been an eventful couple of months for Hampshire-based hard rock band, Dendera.  They stepped up a stage from last year for a dark performance at Southampton Uni’s esteemed Takedown Festival in March; then they found themselves a man down as Tony Fuller, axe-man extraordinaire, left the band this month.

However, one good thing to come out of 2015 despite Tony’s departure, was a new album, “Pillars of Creation”, which the outgoing guitarist featured on before he left.  Anyone who may have written Dendera off as an Iron Maiden sound-a-like band can firmly shove their opinion where the sun doesn’t shine, for this new album is 100% Dendera – unique and heavy as hell.  It’s clichéd to say a band have matured, but with this album, Dendera really have stepped things up a gear or two.  Always cohesive as musicians, this is a tight, polished diamond of a record that will hopefully silence the critics once and for all.

Dendera Pillars of Creation artwork

“Pillars of Creation” is only eight tracks long, however each song is loaded with killer riffs, sweet vocals and 100% pure musicianship.  It’s clear that Dendera aren’t messing about with this record; they mean business and this could be the one that gets them the breakthrough that they deserve.

First track ‘Claim Our Throne’ could be a tongue in cheek homage to the place they’re hoping to take on the rock scene with this album.  Starting off with an intro that could have come straight from a Machine Head album, ‘Claim Our Throne’ is a bang up to date metal track that also screams overtones of more traditional metal … it’s a bruising, belter of a track.  I particularly like the backing vocals, which bring a new dimension to Ashley’s voice.

Second offering, ‘Bloodlust’ is brutal; a romp through some awesome guitar work with some dark vocals and superb drumming.  It’s more recognisable as Dendera, in my humble opinion, but that makes it even more exciting to listen to because it shows how much they’ve evolved since ‘The Killing Floor’.

Ever since I heard third track ‘In High Tide’ live back at the Joiners last year, I loved it.  It chugs along with some classic Ashley vocals thrown in, but the riff reminds me vaguely of 80’s Megadeth.  Anyway, it’s one of my favourite tracks and well worth repeated listening.

‘Disillusioned’ starts with a charming vocal, “Broken and bound by the pain that consumes you, eaten alive by the lies and deceit …”; you just know that this is going to be an epic track and it doesn’t disappoint.  Almost melodic in places (oh, how we hate that word, right?), this is a classic track with some awesome musical work.

Track number five, ‘The Daylight Ending’ is an aural delight that will make your ears bleed if it’s turned up high enough and there is more of the same with ‘The Chosen One’, which will be a firm hit with the stoner rockers out there who prefer a slightly slower pace.  Still epic, nonetheless.

Penultimate track ‘Unholy’ is the undoubted winner for cranking it all the way up to 11 … it whips along at a mad pace and with lyrics such as “All shall perish for my wrath” and “Unholy, my anger, I’ll take a chance upon the other side”, it’s a vitriolic, spitting creation that will go down well at your next party, when you want to upset the neighbours …

Final track, ‘Edge of Tomorrow’ ends the album exactly as it started.  Explosive, with crashing, manic riffs, thoughtful lyrics and some serious changes of pace, it’s an epic track that quite rightly finishes off one of the best local band records I’ve heard for some time.

With an album launch party planned for Thursday 18th June at the Garage in London, it’s clear that Dendera are fully prepared to come back stronger following Tony’s departure, and you better watch out if you’re not expecting them to melt your face off.  If you miss this one, you truly will miss out.  See you at the front!

Tickets can be bought here –  http://www.ticketweb.co.uk/checkout/event.php?eventId=AJI1806X&camefrom=TW_TICKETMASTER_TMLISTINGS

Pre-order Pillars of Creation –

http://denderauk.bigcartel.com/product/pillars-of-creation-cd

Track Listing: –

Claim Our Throne

Bloodlust

In High Tide

Disillusioned

The Daylight Ending

The Chosen One

Unholy

Edge of Tomorrow

www.dendera.co.uk

www.facebook.com/DenderaUK

Happy Holidays!

Just wanted to say a big Merry Christmas to all of you lovely followers, likers and readers. I’m still amazed that anyone bothers to read my ramblings, so, thanks for your support!

Eat, drink and make merry – I intend to do just that before the hard work REALLY starts next year! In the meantime, here’s a pic of me with one of my favourite bands, Rival Sons, which pretty much sums up how awesome 2014 has been …

Interview with Sid Glover of Heaven’s Basement, 06.12.14

British rockers Heaven’s Basement have been labelled as the ‘hardest touring band in rock’, and that’s pretty much what the last two years have been about for them; playing globally to promote their debut full-length album, ‘Filthy Empire’.  The recent one-day Winter Rocks Festival in Sheffield was their last performance of the year, and also probably the last before the second album is released at some point next year (although, with these guys you never know – they’re all about the live shows).  I managed to catch up with guitarist Sid Glover before they hit the stage to talk about touring, guitar heroes and flying planes.  Enjoy! 

HB indiv band pic

How’s the writing been going for the second record?

Yeah, good.  We started writing individually because I’ve been getting some ideas together and I think Rob had probably been doing the same, but we are all together now with writing hats on.  We’re not recording yet, just writing.  Recording doesn’t take long, we did ‘Filthy Empire’ in seven or eight days, I think.

Is it hard for you to switch off when you get back from a tour?

It’s crazy, I’m a fucking nightmare person to live with, but I have a rigorous routine of catching up with friends and writing songs.

You don’t sleep very well, do you?  You’re always posting on twitter at stupid o’clock …

I just get loads of ideas at night, which is good.  We’ll do loads of jamming during the day and I’ll sit down and get loads of ideas at night and I’ll record vocal ideas which pisses everyone off!  I’m down there wailing away at 6am and everyone’s like “Shut the fuck up!” I just get on a roll but when you tour, you get energy at weird times, like I’ll get energy between 10 and 6 in the morning.  If you leave me alone, I’ll live a thirty eight hour day.  I can sleep, once I go to sleep I can sleep like a fucking dead person, but I need a thirty hour day.  Every now and then it flips so I have to have a roll over day.

How else do you switch off?

I’ll probably watch a film with a couple of drinks but it’s all about writing songs, really.  That keeps me up longer because I’m a bit of a perfectionist – I can’t leave an idea half-finished, so I’ll stay up all night, but the pay-off is awesome and when it’s done, it’s done.

Who are your ultimate guitar heroes and musical influences?

Jimi Hendrix was first, then Stevie Ray Vaughan probably came along and Rory Gallagher, Eric Clapton, Jimmy Page and David Gilmour.  That’s pretty much all you really need!

Have you always known that you wanted to ‘do’ music?

Yes.  I didn’t always know I wanted to do it, it was always just assumed that I would – it was never a question.  Ever since I was about four, I was just [playing the] guitar and nobody knows why; I was just attracted to it and gravitated to it.  It’s very odd, no-one else in my family is musical, so it’s a bit strange.

cropped-hb2.jpgElectric Ballroom, Camden, March 2014

Any musical ancestors?

I think my [Great-Grandmother] was a bit of a child prodigy on the piano; she was a concert pianist at the age of thirteen.

So you’ve never done anything else, job-wise, apart from music?

No, I was always doing music, as soon as I found a path, I went down it.  I think I sabotaged my own life so that I had to make it work.

Moving on, you recently flew a plane whilst you were at the Red Bull Air Race in Austria.  Did you enjoy it?  You looked a little bit scared …

No, I wasn’t scared – I love flying.  If I looked a little bit off colour it’s because I’d been at Chris’ (Rivers, drummer of HB) stag party a few hours previously and I hadn’t slept.  It was a bit of a heavy night and then, getting in a plane that goes 250 miles an hour upside down … it was the best hangover cure I think I’ve ever had.  I wasn’t scared but I was trying not to pass out.

Would you do it again?  Is it something that you would like to do as a hobby?

We went and played in Austria and we saw the pilots in the bar and I was like, “Take us up!”  I spoke to the English guy that won and he said he’ll take us up because he lives nearby.  I kind of did it when I was a kid – my Dad always flew, so I’ve always been around planes.  It’s not a passion of mine, but it’s fun.

Talking of fun, what was your favourite video to record off of Filthy Empire, and why?

‘Lights Out In London’ because we just took over Brick Lane.  We hired out two of the biggest bars in Brick Lane, invited people down and threw an all-night party.  I stayed until the end and watched all of the storyline footage getting shot, which was fun.  ‘Fire Fire’ and ‘Nothing Left To Lose’ were cool, because they were the first ones that we’d ever done.  We were in the desert and it was kind of cool, a novelty experience.

Why do you dislike having your picture taken so much?

I don’t dislike having my picture taken!  I probably have my picture taken a hundred times a day.  Everyone says that I look miserable in photos, but I am smiling on the inside.  Even when I think I’m smiling, people are like “You look fucking miserable, Sid.” I’m just not a photogenic smiler!

Heaven's Basement Nosturi 261113 w 030

Nosturi, Helsinki, November 2013 (Photo courtesy of Karen Chappell, http://www.fotoadventures.co.uk)

For you personally, what are the best and worst aspects of touring?

Pros are constant stimulation and massive adrenaline highs every day.  If you like that stuff then there’s not really any cons.  It depends what level of touring you’re at.  We’ve done everything from driving ourselves in a van when we started out, to touring on buses and planes.  You don’t really see your friends much, but you’re on tour with friends and meeting new people all of the time.

Who’s the biggest pain in the arse on tour, and why?

Aaron, because he likes to try and chill and look after himself, whereas I don’t, so that’s an issue.  I think that probably means I’m the pain in the arse!

Who gets in the most trouble?

Shit happens all the time.  We like to leave our sound guy behind quite a lot, that’s fun.  I don’t think I’ve ever been left behind, although our drummer often does [get left].  In Manchester, when we were on tour with Papa Roach, I went for a drink with them on their bus, but didn’t realise their bus left so I ended up in Newcastle and we were meant to go somewhere else for a day off.  It’s all good; we can’t get into that much trouble!  Although, I did get stuck in this place in America once; we ended up in this seedy shop that was clearly a front for a drugs den.  There was this minute of being held up, a gunpoint kind of thing … that was me and our sound guy.  That was pretty hairy, but we managed to make them all our best friends and everyone loved us.  We managed to get the fuck out of there, but that was pretty close.

What’s the weirdest thing that you’ve ever been given by a fan?

There are no weird things, just really nice stuff.  Our fans give us cool things, like paintings they’ve done, or drawings, or really sweet letters … jewellery or alcohol.  All of those things are good!  We’ve been fairly lucky, there’s never been severed heads, or anything like that.  No voodoo dolls made of hair or anything … actually, no, there was a doll once which was made of hair – that was kind of weird.

Not your hair, though?!

I hope not.  I didn’t think about that!

If you could work with just one artist, band or producer, alive or dead, who would it be and why?

George Martin, the Beatles producer.    He was a big part of the Beatles developing their recording sound and I would love to see how he works.

Any new bands that you can recommend to us?  Anyone cool that you’re listening to?

I’m fairly uninspired with most of the new stuff I’ve heard recently.  I’ll tell you what I do like though, we are well into the new Kasabian album.  I know that’s not an underground thing that nobody’s heard of, but they seem to have blended pilled-up dance music with elements of classic rock and I think that’s quite a good combination.  I listen to anything that’s got a soul to it, anything that’s good, mainly blues and rock, but anything that doesn’t scream of ‘cookie cutter’ fake music, which is most stuff these days.

What’s been your biggest Heaven’s Basement highlight, to date?

Probably the London show (Electric Ballroom) on our last headline tour; when it was booked, I told everyone that they were stupid because I thought it was way too big.  We’ve only ever supported bands there that are on their third or fourth album who we considered quite successful bands, so to do it on our first album … it was four or five times bigger than our previous headline show, so it was nice to be proven wrong.

I have a few ‘fan’ questions for you.  First up, what’s been your best and worst gig?

We did Montreal and Dallas on the tour with The Pretty Reckless – they were wicked shows, performance and energy wise, everything gelled and it was just devastating.  Nostalgia-wise, things like the Electric Ballroom show, Download second stage, Kansas City Rock Fest … the ‘big’ gigs, that’s great.  The worst gig … there was one gig where I accidentally got hammered beyond belief.  We were just hanging out in the day, and had forgotten that we were playing and there’s a moment when you walk on stage and it’s past the point of ‘cool’. You have a few drinks to loosen up and get in the mood and then realise you have zero control over this.  It is one of the most terrifying feelings in the world, to know that you then have to entertain these people, but not let on too much to the band that you’re hammered!  It turned out to be a great show so I can’t really complain, but … that moment of fear!

There was also a gig in Germany once where everything broke.  Every part of my rig broke so, most of the show the band was playing whilst I was swapping gear out.  It got to the point where I was literally down to just trousers – my belt snapped, my guitar strap snapped, all the heads had gone on my amp so there was one tiny cable linked up to one amp, no guitar strap, no belt.  I raised my pick to play the last note and the singer leant up to the crowd and knocked the guitar pick out of my hand!  But that was a good gig, too – when things are going wrong it usually adds to the energy.

Is there any news, 2015 festival-wise, that you’re allowed to mention?

To be honest, our priority is on the album, so it kind of depends when we do that.

Why do you use the name ‘Sid’, rather than your real name of Andrew Edward?  Was it something to do with Sid Vicious?

No, definitely not!  None of the men in my family are known by their real names, it’s a very strange thing.  It’s like they’re given a name when they’re born and instantly it’s changed!  I found out recently that my Dad’s name is not his real name, his Father’s name, isn’t his name.  It is what I am, it’s just an odd tradition.

It suits you, though … I can’t imagine you as an ‘Andrew’.

Nobody can … that’s not my name!

Do you have a ‘favourite’ guitar to use?  If so, which one?

Not really, they all serve their purpose.  My ‘favourite’ guitar is probably the one I got when I was four and has a string missing.  I dabble, depending on how I’m feeling at a certain time, I’ll use a certain guitar; they’re flavours to be played with.

Sid guitar

“When things go wrong, it usually adds to the energy”

Is there anything that you would like to add?

Yeah, to anyone that has come out to a show for the last couple of years, thank you for supporting us.  We’ll be back next year with a new album.

You can buy a copy of ‘Filthy Empire’ at record stores or via the usual online outlets.  iTunes also have the two previous EP’s available –  ‘Heaven’s Basement’ and ‘Unbreakable’ – both highly recommended!  Keep an eye out for HB2 in 2015; in the meantime, check out some HB videos below to keep you going!

http://heavensbasement.com

http://www.facebook.com/heavensbasement

‘Lights Out In London’ – http://youtu.be/-UwsGZCeIro

‘Can’t Let Go’ – http://youtu.be/VwVkRMWOsZc

‘Heartbreaking Son Of A Bitch’ – http://youtu.be/Q6Yq5i3WDfw

‘Nothing Left To Lose’ – http://youtu.be/kP1u79wSdDY

‘I Am Electric’ – http://youtu.be/XjRaKId4Rps

‘Fire Fire’ – http://youtu.be/zgz_vmwEp_0

http://www.facebook.com/themusicjourno

Review of Rival Sons / Blues Pills / Jameson, Portsmouth Pyramids, 08.12.14

rivalsons-5358

It’s been quite a year for Californian rock and rollers, Rival Sons.  Fresh from a string of European dates, an award-nominated fourth album and a generally steady trajectory into the big leagues, tonight they were scaling the dizzy heights of … Portsmouth.  Not that there’s anything wrong with Portsmouth, in fact quite the opposite.  The newly refurbished Pyramids Live venue has a much improved sound system and a lovely new carpet – what more could a rock and roll fan ask for?

Kicking proceedings off was an earnest, solo young man from California by the name of Jameson.  Despite the unfunny comments about Irish whisky coming from the somewhat inebriated, older people I had the misfortune to stand next to, he did well.  Most of the audience were appreciative and considering it was just him and his guitar, I thought he did a fantastic job of holding everyone’s interest.  He has a new EP out, ‘Carnivore’, so I would recommend that you check him out.

Jameson live

Next up were the sensational Swedes, Blues Pills.  This was the second time I’ve had the pleasure of catching this band and I like them more each time I see them live.  Elin looked resplendent in a short red dress, long hair flying as she got into a groove, tambourine in hand.  With fantastic songs such as ‘Devil Man’, ‘Black Smoke’ and the finale of ‘Little Sun’, Blues Pills went down a storm and Elin’s voice is a treasure to behold.  It goes without saying that you should go and buy their eponymously titled debut album.

Blues Pills live

Finally, we came to the headliners.  Fresh from a record signing at the quaint and very welcoming ‘Pie and Vinyl’ in the town centre, Rival Sons took to the stage in a burst of colour, opening their set with ‘You Want To’.  Jay’s voice was sublime, Scott’s guitar playing was ethereal … I could go on, but they had me, and probably everyone else in the room, captivated from the first note. The awesome signature tune, ‘Pressure and Time’ followed and then, much to the delight of the crowd, the romping ‘Electric Man’.  Jay’s vocal did strain a little bit on ‘Secret’, but purely because he was so in the moment, I think, sinking to his knees with the microphone – nobody could ever accuse this band of not giving 110%.  Scott also gave us a sublime guitar solo during ‘Manifest Destiny, Part 1’.

Rival Sons live

One awesome track after another followed and it’s not very often that a band can hold an entire room in the palm of its hand for an hour and forty minutes – Rival Sons managed it effortlessly, almost made it look easy, even.  When they left the stage there was uproar, the crowd hungry for more and the Californian rockers obliged them with a four-song encore, starting with the insolent ‘Open My Eyes’ and ending with trademark song, ‘Keep On Swinging’.

It’s easy to be biased when you really like a band, but these guys came out looking every inch the rock and roll stars that they are and they just owned the stage from start to finish.  Today Portsmouth, tomorrow … well, who knows where Rival Sons’ epic journey will take them.  One thing is for sure, if you get the chance to see them in the next twelve months at a local venue near you, do it.  You might not get another opportunity for such an intimate gig.

Rival Sons Pie and Vinyl

With Rival Sons at the pre-gig ‘Pie and Vinyl’ signing session

Rival Sons set list: –

  1. You Want To
  2. Pressure and Time
  3. Electric Man
  4. Good Luck
  5. Secret
  6. Good Things
  7. Manifest Destiny, Part 1
  8. Torture
  9. Rich and the Poor
  10. Where I’ve Been
  11. Tell Me Something
  12. Get What’s Coming

Encore songs: –

  1. Open My Eyes
  2. Sacred Tongue
  3. Jordan
  4. Keep On Swinging.

https://www.facebook.com/rivalsons

https://www.facebook.com/BluesPills

https://www.facebook.com/jamesonmakesmusic  

Inherit The Stars release new video for ‘Still Alive’

Inherit The Stars Online Promo Shot

Sheffield rockers, Inherit The Stars, have announced the release of their new video for ‘Still Alive’, a belting track from their new EP ‘Beyond The Beacons’. 

Drawing from diverse influences such as While She Sleeps, Enter Shikari and Fightstar, the northern four-price have a style that is unmistakably their own, blending memorable guitar riffs, strings, killer drums and synths to create a recipe for success on the UK rock scene.

Unlike many of their counterparts, Inherit The Stars refuse to be tied down to one genre of music. On both their debut album and their new EP, ‘Beyond The Beacons’, edgy metal cuts stand side by side with classic pop; all facets of the band’s impressive sound are written and recorded with
dedicated craftsmanship.

‘Still Alive’ is a massive track – a fillet of rock that will slap you round the face to announce that Inherit The Stars have arrived and this time, they’re shooting for the moon.

Catch the awesome video for ‘Still Alive’ here – http://www.youtube.com/watch?v=Xri4SVeOnno – you can find out more via the links below.  ‘Beyond The Beacons’ is released on 8th December 2014 and last years debut album, ‘We Were Made To Walk The Skies’ is available via iTunes.

https://www.facebook.com/inheritthestarsofficial
http://www.inheritthestars.com
https://twitter.com/Inheritofficial