Preview – Soil, American Head Charge & (hed)p.e

Fresh on the heels of a string of massively successful US appearances, with a tranche of upcoming dates across Europe later this year, UK dates have now been announced for Soil, American Head Charge and (hed)p.e.  All UK dates will be supported by 8 Foot Sativa and details can be found below: –

SOIL pic

Sun 19 Oct  –  Southampton, 1865

Tue 21 Oct  –  London, Electric Ballroom

Wed 22 Oct  –  York, Fibbers

Thu 23 Oct  –  Glasgow, The Garage

Fri 24 Oct  –  Sheffield, Corporation

Sat 25 Oct  –  Manchester, Club Academy

Sun 26 Oct    Chester, Live Rooms

Tue 28 Oct  –  Weymouth, Pavilion

Wed 29 Oct  –  Bristol, Bierkeller

Thu 30 Oct  –  Wolverhampton, Slade Rooms

Fri 31 Oct  –  Reading, Sub 89

Sat 01 Nov  –  Nottingham, Rescue Rooms

Soil’s sixth album ‘Whole’ was released in late 2013 and by the band’s own admission, it marks a return to the hugely successful ‘Scars’ era – an album which spawned the iconic track ‘Halo’.  Soil have now sold over a million records worldwide in a career spanning over 15 years.

Tickets are sure to fly for this one, so get yours today!

Tickets –

Soil –

American Head charge – 

(hed)p.e –

8 Foot Sativa –

Interview with Feral Sun @ Camden Barfly, 03.05.14

Interview with FERAL SUN, 03.05.14 @ The Barfly, Camden

You’ve just released your album ‘Evacuate’, how’s the feedback been so far?

Jay: We’ve been pretty stoked to get the positive feedback that we’ve been receiving. It’s our debut album and the people that have been picking up the album and buying it – the fans, which we massively appreciate and then industry people such as radio stations and all the other’s who’ve picked it up so far, the reviews have been really positive. We’ve also been stoked to get some of the real positive responses, as in the “fresh sound” comments, some of the bands people are saying we sound like and being put in a similar category as some of those bigger bands. To hear those kind of responses is our dream. Now it’s about trying to get it out there more, with more people hearing it.

Well, you’ve certainly been getting lots of radio play, you’ve got Emma Scott (formerly of Kerrang!) plugging you and you’re only about halfway through your tour?

Mick: Just before the halfway mark with the current dates and hopefully soon some more dates may be added. It’s going well.


Are you seeing people coming back to different shows or is it different faces every night?

Marco: Random people who happen to be there are looking forward to the next show and are then following us around.

Jay: It’s quite awesome when you go to a gig somewhere completely different and whether it’s a small venue or somewhere a little bit bigger, to see some of the same people that you saw in another town, that’s an awesome feeling. It’s amazing; you can’t get a better feeling than that.

Those people will grow with you as you get bigger as well … I saw something on Facebook about a South African tour – is that something that may definitely happen?

Jay: The band is originally from there, Mick is from Pretoria …

Mick: I’ve been talking to a big booking agent in South Africa and they’re really interested in getting us over there, but we need to make it worth their while, so if we fill up venues or bring 20,000 or 30,000 to a festival. They’re looking for sponsors and we’re promoting and getting our name out there. It’s been a fantastic start, with SA radio exclusives and interviews; in the first two weeks, we got onto to the top 10 most wanted charts in my home town and we stayed there for 5 weeks, only being beaten by Metallica’s ‘Nothing Else Matters’, for two weeks in a row. It’s just been great, from there on we’ve done ‘Breathe’ and ‘The Long Road’ and had a great response, so we’re just waiting for them to get the sponsors ready. We can look at doing it ourselves but we’ve got so many places now – people from America are asking us when we’re going to be over there, and Belgium, The Netherlands – we have radio stations over there playing us every day now. We’re thinking we’ll start with the European market and then take it from there. If the SA tour comes about, we’ll gladly be going.

You’re really starting to spread far and wide!

Mick: It seems that way, slowly but surely. Yesterday or the day before (on Facebook), I just happened to find these Italians talking about us, saying that we sounded a bit like Stonesour; I’m not friends with them or anything so that was great so we’re starting to see things happening, on twitter it’s also going well.

Jay: We’re not doing anything major, nothing on a grand, Wembley stadium scale in the slightest, but it’s just great to feel that people are listening to the music and coming to the shows.

Mick: One step at a time …

So, Wembley, is that the ultimate goal?!

Jay: My goal is just to keep on rocking for as long as I can, to be honest.

Mick: How far can we take it? If we don’t reach Wembley, it’s not the end of the world.

Marco: The amazing thing is that, of course we’re working hard, but doing all of this, we’re still having fun, we’re still enjoying it and people are having a good time with us.

Alex: That’s the main factor which drives you to do the gigs, once I’ve stopped having fun, maybe I’ll quit music!

Mick: I think the crowd feeds off of our having fun, onstage or off stage. Now that we’ve set up we can relax, have a few beers and it starts now. I’m sure most bands say it, but we are one of the easiest working bands, we haven’t had troubles with anyone along the way.

Jay: We like to try and be one of the easiest working bands, just the kind of band that just wants to play, you know? We’re just trying to have a good time.

Alex: It’s a really good chemistry.

Interview shot - Heath Bateman

(Picture courtesy of Heath Bateman)

You have people coming to different shows again and again from different places, are these people that have been there since day one?

Marco: There are a few that have been there from the beginning, from the first few gigs. Actually the good thing is that they’re trying to spread the word and bringing along more friends and people.

Mick: We haven’t got to actually doing it yet, but hopefully by the end of this year or next, as there has been a lot of demand for it, we can hire a coach and bring a lot of our friends and fans to Birmingham.

Marco: The first time we played Birmingham there were people coming up from London, travelled by train to see us. They were singing along and wearing tee shirts.

Jay: Yeah, and they came and stayed with us! They crashed where we crashed. They came all the way to Birmingham so we said come and party with us and they crashed with us. They’ve already spent money on public transport …

Do you find that people bring things to shows for you?

Mick: Our last gig was my birthday and there was a lovely birthday card from three of the DJ’s from Rock and Roll Circus and a birthday cake as well. I did have a bit of a worry as I saw James Hetfield get completely destroyed at Sonisphere with cake on his birthday and I thought, where’s this cake going?!

Marco: To be honest, we thought about it … but it had candles on it, we didn’t want hot candles burning his face!

Taking it right back, how did you settle on the band name?

Mick: Originally, it came from Wild Child and it just didn’t go with the way the sound was going. South Africa was very grungy at that time, with Nirvana and Pearl Jam etc. When we changed members in SA, I looked into a Webster’s dictionary and saw ‘feral’ as another name for wild, but I didn’t think Feral Child would go down very well. Then I thought bring SA into it, and everyone kept saying the music had energy so it became Feral Sun. Around that time MySpace was kicking off and the name was one of one – it wasn’t on there already and when I got here, we got the domain name, The only thing we couldn’t get was Facebook, we lost the name when we changed to a page, so we had to go with Feral Sun Rock. Anyway, it’s an absolute gold mine of a name and people seem to like it from what I’ve heard.

When you’re writing, what sort of influences do you draw on?

Jay: All four of us bring something different. I’m a metal head, but I’m also a hip-hop, drum ‘n’ bass and dub-step head. Classical music, jazz and funk flavours … I started playing drums because I got given a rock tape, so I was always a rock drummer, rather than going the urban route. My influences are rock-metal, metal to get me the flavours that I need to push to for the next album, drumming-wise, but I still have this automatic urban groove flavour.

Alex: For me, I cannot say if I’m driven by jazz influences, rock or nu-metal, for me the main thing is to look at the song as a listener. It doesn’t matter if I play it or not, but I just want to stand outside and listen to it and see if it needs to be changed and it doesn’t matter what kind of influences, the main thing is that the product is a song to be delivered to the people and they accept it.

Marco: We’re all from different countries but we’re all into rock. Coming from different backgrounds we pull all of that into the music itself, a bit of everywhere. As a guitar player I always aim for the big guitar heroes, but I listen to classical music, more rock. But I think it’s the way we bring that to the band that makes the difference, not what we listen to.

Mick: Everybody is influenced by somebody. Definitely all the 90’s grunge bands, everyone from the Pixies all the way through to Soundgarden and Alice In Chains. Nowadays I’m into Karnivool, Trivium, Killswitch Engage – at the end of the day, you take your influences, then you try and write something that is Feral Sun. Nobody can pinpoint us to one band, which is great. If one person says a song sounds like Stonesour and someone else says it sounds like Soundgarden, to me that’s like, wow, you are comparing us to massive bands. Everyone needs to compare a new band the first time they listen to them, because it’s something familiar to them.

Alex: Sometimes when we write new songs, somebody will get the idea which sounds great but then it turns out that somebody else already used a similar melody or rhythm and we don’t want to copy anyone, we just want to be an original band.

Marco: It’s very complicated nowadays, there are so many bands!

Mick: It’s finding the recipe between something that we’re happy to play on stage and also something that the crowd is going to enjoy.

If you could play with any band, alive or dead, current or past, who would it be and why?

Jay: I think I would love to support someone like Karnivool because they’re just ridiculous. We’re a different sound to them, but I just think being able to come off stage and watch those guys rip it to pieces after us …

Marco: My biggest dream would be to share the stage with Dream Theater. I don’t think that would happen as we’re so different, but they’re my favourite band.

Alex: I’m going to be unoriginal but I would love to play with Metallica, just to say to James Hetfield, thank you for my childhood, because that’s what made my childhood, so I’d like to shake his hand and say thank you very much.

Mick: This is a tough one. Can I say two, as it would be very close between Soundgarden and Pearl Jam. The two biggest influences vocally in my music career and they’re still going, still writing great tunes. I think we could definitely support both of them quite easily!

You’re currently un-signed, do you feel pressure to get a ‘record deal’ as people would understand the term?

Jay: I don’t think we feel pressure, I think we’re stoked to have some real hard working band members; Mick carries a lot of the administration side of the band on his shoulders. Everybody in the band is doing their bit, but Mick has been the driving force, specifically during this album, so the last 18 months have been great with a bit of management support and Emma Scott getting involved with us, and the radio stations, getting interviews – none of that would have happened if Mick hadn’t gone out there and searched and contacted these people and got them to check us out. Everyone has done their part and we’ve been productive. We’ve tried to throw a few things at labels, but they need to see that we’re serious about it, so we’ve been trying to get to a level where we’ve got proper management and booking and support, which we have now. We’ve tried to do it in an organic, correct way because in this industry now, unless you’re fortunate enough to be supported by a big [record company] nobody’s got any money anyway. We can only show that we still want it and all we can do is keep our fingers crossed and hope that the right people are in the right place and that we’re playing the right way.

That leads on to my next question! Given that rock and metal is allegedly outselling other genres in this country, a lot of people are saying that the industry is dead on its arse and that bands will never make it anyway. What’s your opinion?

Marco: There are still good bands out there.

Jay: It’s not dead on its arse, it’s just going in a different direction.

Mick: I think it’s changed. It is a dog eat dog eat world and if bands are falling off along the way, the ones that really want it and are striving for it will get that spot. It’s not just about who you know now and bands have to show they can do it for themselves. We’re lucky that we own everything that we’ve done, but there will come a point where, unless we have a sponsor, to actually get it to the level that we want to go to, that’s where labels with money come aboard. We know the dangers of going that way but that’s what it is.

Jay: If it does come to us it would be awesome, but it has to be the right opportunity.

A lot of people don’t buy CD’s anymore, they prefer to download music …

Jay: People do still buy CD’s. There are still big chains, HMV are still there and there are still independent shops.

Mick: Vinyl is coming back, I went to HMV a week ago and there was Trivium and Bullet For My Valentine on vinyl. It’s on its way back but in a smaller, on demand market. We would definitely look into that, maybe start with 10 and see if people go for it.

What about the pledge route? Might you consider that?

Mick: It probably is in the pipeline. We funded this album, which wasn’t cheap, but we were happy to do it because we love doing it and it was the only way we could do it. Some days have been 12-16 hours solid work, day in day out. If it wasn’t for these guys, I wouldn’t be sitting here now and we’ve done all that hard work and I can breathe again now. If we can get on to something like this then hopefully a lot of that will be taken off my shoulders and I can get back to doing what I love doing most – writing and playing music.

What tunes are you listening to when you’re travelling?

Jay: We make mix CD’s, but we’re always adding stuff.

Mick: I think we should add ‘Heart of A Coward’, another London-based band.

Jay: Sometimes we’ll put on some dance music just to get out of the metal and have something different on a long journey.

You’re playing Nuke-Fest in Hull on 12th July? Any other festivals or summer appearances?

Jay: If all goes to plan during the next few days, hopefully we may have some more bookings soon.

Mick: With festivals, bands need to be on labels, so that’s a massive wall for us to climb and most of the bands will have had to have a release out, so we just missed it. We’re tighter as a band now and there’s a whole lot of things that have been in the background that yes, we’re ready now, but we’ll be a whole lot more ready next year.

We’ll be looking out for you at all the big festivals next year then! Anything else to say?

Jay: Thank you very much for reading this – if you’ve heard the album and you like it, we massively appreciate it!

Feral Sun’s debut album, ‘Evacuate’ is out now and available to buy from their website or from iTunes.  Check out their Facebook page for more gig dates – you seriously need to catch these guys live!




Are you on Facebook?

So, if you’re on Facebook, please take a moment to pop over and like my page –  With the way that Facebook are changing all of the pages settings, it will be a miracle if anyone ever gets to see it, but I’ll keep posting and see what happens!

As you may know, I’m currently studying part-time to become a journalist, with a specialism in music.  To be honest, it’s a hard slog at present, as I’m doing so much reviewing; I’m finding that I don’t have the time to study and it’s becoming an ever more competitive field.  But I will get back into it – even if I don’t manage to make a career out of it, I love writing and I have met some fantastic people over the last eight months, most of whom have been really supportive.  The bands I have interviewed and reviewed have been tolerant and professional and I have tried to return the favour.  I’m finding that if you don’t ask, you don’t get – in fact, that’s my new motto!

A lot of people are saying that Facebook is on its last legs.  I’m not sure if I agree with that, I only know that I see the reach on my page dropping steadily, week after week.  I also have problems posting links to other pages and people and apparently now, if somebody likes your page but doesn’t have three separate activities (e.g., likes, shares etc.) within one calendar month, FB will remove your page from their likes.  I find that incredible, as when did it become acceptable for such a big brother approach to be tolerated?  Will people vote with their feet and leave FB in their droves?  Probably not …

Anyway, the whole point of this post is to say that, if you have time and you might be interested in accompanying me on my journey as I attempt to get qualified as a music journalist, then feel free to give me a like.  I don’t spam, although sometimes I do post a couple of things at once, especially if I’m busy with reviews.  It would be great to see you there …

I’m on a couple of other sites, if you might be interested.  In for a penny, in for a pound … !

Interview with Danni and Matt from The Dirty Youth, Brighton, 30.03.14

I caught up with Danni Monroe (vocals) and Matt Bond (guitar) of The Dirty Youth before their gig in Brighton on Mothers’ Day to talk touring, drinking and weird fan behaviour … read on for the lowdown.

How was Takedown Festival?

Danni: Awesome. It was manic, to describe it in one word.

Matt: So many bands that are new as well, it was good.

How is it touring with Glamour Of The Kill and Heaven’s Basement?

Matt: It’s such a blur.

Danni: I can’t believe we’re on week three of the tour already. I can’t break down the days, can’t even remember what I was doing three days ago.

Matt: You always wake up not knowing where you are, or what day it is.

Danni: I knew it was Mothers’ Day today because I set a reminder on my phone! It’s been good though, we’ve had a wicked reception and it’s good that it’s three bands that aren’t really put into one genre or scene. It’s a good audience really, a mixture of ages … in fact it’s quite an older audience, compared to others that we’ve done.

I saw you at the Electric Ballroom last week which was a great show, did you enjoy playing there?

Matt: We enjoyed that one.

Danni: That was a manic day, lots of press.

Who’s been the best band that you’ve toured with so far?

Matt: The best band was Korn, that was really cool. We heard some horror stories beforehand about them not liking support bands. After we finished the first show, Munky (James Shaffer) came and stood in the dressing room doorway and just looked at us, then he said “you guys are really good” – he said we were his favourite support band!

Danni: We did a cover of one of their songs just before we went on tour and Jonathan Davis came up to me and asked if I wanted to sound check with them, which was pretty cool. I didn’t know the words to all of their songs, but luckily they had karaoke style TV’s with the words coming up which was amazing – I looked like a pro, singing the songs! Karaoke with Korn – not many people have done that! The guys came running in, Matt had just got out of the shower!

Matt: I was, like, is Danni singing with Korn?!

Awesome, that’s how memories are made! What do you do when you’re off stage, how do you kick back and relax?

Danni: It depends on what kind of cycle we’re on with albums and touring and really. Obviously, if we’ve got an album to write we’re fully into that, or concentrating on the live performances.

Matt: We film a lot of stuff, we’re doing another DVD at the moment, ‘The Dirty Youth Project’. We did a pledge campaign for the last DVD (‘28 Gigs Later’) and it went really well. We just film everything and there isn’t a lot of time to do anything except recover from the night before and drive and do press.

Is it literally a blur of different towns on tour? Do you ever get time to see anything?

Danni: No. Not ever. I‘m a massive ‘Friends’ fan and we went to Chester the other day, where they have a replica ‘Central Perk’ café. We literally didn’t have time to leave the venue, go in a taxi fifteen minutes away to see it. It was on my list of things to do on this tour.

Matt: Last time we went to Europe we had time to go to the Coliseum in Rome. We had a day off luckily.

Danni: That was the only thing we saw, though. It is a big blur when you’re on tour.

Matt: It’s so funny because when we watch the DVD back it’s like “Oh yes, we’ve been there!” The only other thing to do really is drink.

Danni: I have one or two every day but I don’t get drunk, I wouldn’t be able to sing.

I won’t mention the Heaven’s Basement tour bus incident then …

Danni: That was the only time I’ve been drunk on this tour. We were drinking Jagermeister and Tequila – I did tell them I would be sick if I carried on drinking.

Matt: Usually Danni can drink most men under the table.

Danni: Me and Jager don’t get on.

I’m not surprised, it’s evil stuff! Are you all on the same bus, then?

Danni: No, there’s 8 of us in a van, and Glamour and Heaven’s Basement are on the bus.

Moving swiftly on, you’re managed by Rob Ferguson, of Transcend Music?

Danni: Yes, he manages us, but we’re still independent and unsigned.

Matt: We’ve always done everything ourselves, really, but it got the point where we needed a manager and we know where we are with Rob, known him a long time. We told him we wanted to play one of the main stages at Download and he told us we could do it. It’s just been announced for this year for the second stage …

Danni: There’s not many unsigned bands that can do that!

Matt: Playing on the same stage as Status Quo! That was my first ever gig …

That’s what it’s all about! Tell me what sort of feedback you’ve received for your first album ‘Red Light Fix’?

Matt: It’s kind of weird … obviously we took the album seriously, but we were just a band having a jam. Then we released ‘Fight’ which got so many plays on YouTube and featured on loads of games. We do all of our own post as well and now we’re posting to Japan, Australia, America, Italy, Mexico and Brazil, we can see it spreading.

Danni: It’s just gone crazy, the other day we posted a batch of about 80 things to 20 different countries. We have quite a growing fanbase in Transylvania which is random as we’ve never been there!

What inspires you when you write?

Matt: Our experiences, things that we’ve been through, or people that we know, or even films we’ve watched. It’s all very real, just drawing from every day experiences.

Danni: Everyone is shouting on this tour for earlier songs, like ‘Requiem For a Drunk’ and you can tell that we wrote that when we were 18 and going out and getting smashed. We wouldn’t write a song like that now, but with the new album that’s coming out people will be able to see that we’ve grown, especially lyrically.

When you go back to Wales, do you find that people treat you any differently? Do you get recognised a lot?

Matt: If we go somewhere together.

Danni: Until this tour we had pretty much a year out to do the album and we don’t really do that much locally, we’re not a ‘scene’ band. I used to go the Blue Banana about three years ago and everyone would recognise me. I went in there the other day and even though our song was the Blue Banana song and video of the week, no-one said anything!

Matt: If people see one of us it isn’t so much, but when they see all of us … we were in a petrol station in Birmingham the other day and this car just stopped and these two girls got out and started running towards Leon (Watkins, drummer) and they were playing the songs in the car, it was nice.

Danni: That’s my tiny bit of exposure of getting that feeling of what Take That used to go through, with their crazy girl fans.

Matt: Someone had a panic attack when they saw us, which was really weird. We were in Italy and some girl ran across the road, grabbed Danni and just started crying. We’re small and we’ve got so far to go, but we’re starting to see little bits like that now. Someone bought us food yesterday as well which was amazing.

Danni: I broke my sunglasses on the first day of the tour and I updated my status on Facebook and a girl bought an amazing pair of aviator sunglasses to the show for me. Someone bought me a bottle of Jack Daniels, too, it’s been amazing.

Matt: I did put a status up saying I forgot my Playstation 4, but I didn’t get one of those.

Aw, it’s nice that people give you gifts! What’s the weirdest thing you’ve had?

Matt: We got given some ducks, rubber ducks. They drew our faces on them and Danni’s even had lipstick on it! The strangest thing that happened to me though, was that someone followed me round Asda and started tweeting about what I was buying! They tweeted that they didn’t know I was a vegetarian because I bought vegetarian sausages. I’m not a vegetarian, but yes, I did buy veggie sausages!

Danni: Someone made us some TDY keyrings, they were cool.  I always get people tweeting me saying that they saw me but they didn’t want to come and say hi. I always find that weird, like, why didn’t you just come and say hi?!

Matt: I think it’s a good indication of how it’s spread, especially in services; if you get recognised at the services, you know it must be working, people are paying attention.

Danni: Generally, you draw more attention to yourself if you walk through services wearing sunglasses and a hoody because you look like shit, with pink hair sticking out of the side.

I find that hard to believe, Danni, you always look amazing!

Danni: Dry shampoo is the way forward on tour, definitely! Talking gifts, I did share my bottle of Jack, although Mikey from GOTK drank half of it, even though they get tequila and vodka every night on their rider. We’re hardcore drinkers on this tour and if I didn’t have to sing every night, I would drink them under the table.

Matt: They’ve got a reputation for partying and so have we; so many people thought it would be carnage with all of us but we’ve been quite well behaved.

Do you find, as you’re a female-fronted band that you have to deal with any preconceptions or prejudices before people hear you sing or see you live?

Matt: I think the classic mistake that people make is that people see “female-fronted” as a genre. It’s so ridiculous. It’s like putting Metallica and Busted in the same genre because they’ve got male singers.

Danni: It’s always going to happen though, I remember when I was growing up, bands who were absolutely nothing like each other like Skunk Anansie and No Doubt were always compared because there wasn’t really anybody else. It’s annoying because we’ve been going for 7 years now and people still see us as a new band, because we’re only just getting our PR campaign sorted.

Matt: It takes so long. So many bands come in and they think they’re going to get a deal straight off. It takes time and when you do get offered a deal, you have to look really carefully at it.

Danni: It’s easier to take out a loan and do it yourself. Keep your costs down, you make more money.

So, do you think that the music industry as we know it is dead?

Matt: No. There are loads more outlets for music now than ever. CD sales and the music used to be the meat of the dinner and now it’s not, it’s a side dish. The other avenues, TV, games, are massive now.

Danni: We’re on a game that’s coming out soon, on the PS4.

Matt: Because you’ve got Facebook, twitter and all of the other outlets for music – when we were first in a band we used to have to come to London with a CD and hope an A&R man turned up. Danni and I hounded people for 10 hours a day on MySpace, every day when it started. Eventually we broke them down.

Danni: It’s not that people don’t appreciate or want the music any more, it’s just that they don’t all pay for it. So you’ve got the same audience and amount of people wanting it, just not all wanting the physical copies.

Matt: People really love music and that’s not going to change. Vinyl’s coming back.

Danni: We still sell twice as many CD’s as tee-shirts every night. The quality is better on a CD as well, I think.

What are you listening to at the moment?

Matt: Our new single, that’s a track!

Danni: It’s a cheesy answer, but I’ve been listening to Heaven’s Basement and Glamour a lot before this tour. Our driver is into loads of up and coming bands, so he’s introducing me to some new music. The guy out of Mallory Knox has got a great voice.

Matt: I watched a band the other day called Fat Goth. I quite like Kvelertak too.

What’s the best and worst thing about what you do?

Danni: Seeing people singing back the lyrics is amazing.

Matt: The bits in between are the worst. The uncertainty, the constant onslaught of people saying that music is dead and that bands are never going to make money.

Danni: You get quite a lot of negative interviews these days.

Matt: If they dropped the prices of Mars Bars from 50p to 10p, they wouldn’t say chocolate’s dead. You’re not going to earn millions unless you’re in a massive band.

Good point … so what’s next for The Dirty Youth?

Matt: The new single, we’ll be doing a headline tour and a massive support tour and, of course, Download.


(Photo courtesy of Charlotte Whittingham)

Thanks, Danni and Matt – I can’t wait to catch TDY again! You can buy the music on iTunes, Amazon, etc.(or a good, old fashioned record shop!) and you can also check out their new video, for ‘Alive’ here – 

Review of Heaven’s Basement @ Electric Ballroom, Camden, 27/03/14

I can’t lie – I had been looking forward to this gig for months.  Even though I saw two of the three bands play at Takedown Festival less than two weeks ago, I was so ready for this one.  Unfortunately nobody wanted to come with me (it’s amazing how hard it is to persuade people, even with a free ticket!), but it’s all about the music – at least I still got to go! My train was on time, the tube was running perfectly and the queue for the Electric Ballroom wasn’t anywhere near as bad as I had thought it would be.  There were three bands on the menu; a starter of The Dirty Youth, main course of Glamour Of The Kill and headliners Heaven’s Basement were up for dessert; my favourite … I like to save the best for last!

First up were The Dirty Youth – a five piece, female fronted band hailing from Wales.  Front-woman Danni looked amazing with her shocking pink hair, lipstick to match and a skin tight black and see-through outfit.  Fortunately, she has the voice to match her looks and she belted out song after song with that incredible voice of hers.  The guys backing her are all competent and it was a stonking opening, although the crowd took a little warming up.  ‘Requiem For a Drunk’ went over well with the crowd, Danni imploring everyone to clap along and a fantastic set finished with ‘Fight’, which saw her hold an awesome note at the end.  Surely The Dirty Youth are set to move on to bigger things …

After a slight lull, handy for a beer break, Glamour of The Kill erupted onto the stage with massive tune ‘Break’.  A new band in my collection, I absolutely love these guys.  They have attitude, they’re pretty and they sound great – what more could anyone want?  I wouldn’t say the crowd went mental, but there was a fair amount of jumping going on around the front with a pit going, everybody getting their fists in the air.  ‘Second Chance’ went over well, as did ‘The Only One’, both tracks from the newest album ‘Savages’.  I particularly enjoyed ‘If Only She Knew’; one of my favourite tracks off of first album ‘The Summoning’.  ‘A Freak Like Me’ went down a storm and they finished an impressive set with ‘Feeling Alive’.  Every time I go on to twitter or Facebook these days people seem to be talking about GOTK so I’m guessing that they’re also going to get very big, very quickly.  Bring it on – I can’t wait to see them again.


(Photo courtesy of Amanda Cooke)

After another lull, during which I got chatting to some lovely long-time Heaven’s Basement fans (stick around long enough with this band and you’ll start to feel like you’re part of one big family, it’s another reason why I like them so much), the lights went down, the screaming got louder and you could almost taste the anticipation in the air.  With a shirtless Chris settling behind the drums, Aaron and Rob bouncing around like puppies on speed and Sid radiating bad-boy attitude with that trademark sneer of his, they launched straight into ‘Welcome Home’, first track off of the ‘Filthy Empire’ album (which has been out for well over a year; if you haven’t got it yet, why the hell not?).


(Photo courtesy of Amanda Cooke)

Sliding effortlessly into fans’ favourite ‘Can’t Let Go’, the room was already moving as one, sweaty and excited, but when the opening notes of ‘Fire, Fire’ rang out, the crowd went nuts, the whole front section jumping up and down, everyone singing along; likewise with ‘Heartbreaking Son of a Bitch’.  I was surprised to hear ‘Straight To Hell’ (b-side off of single ‘Nothing Left To Lose’, which followed it), as I can’t recall seeing them play that track live before, although it’s a great song, with some awesome guitar work. ‘I Am Electric’ came next and unsurprisingly, the room erupted once again, general chaos ensuing, the crowd loving every minute.  It was nice to see Sid introducing and singing on old track ‘Paranoia’, a firm crowd favourite, before they slowed the pace right down with ‘The Price We Pay’.  One of my favourite tracks ‘Jump Back’ followed and Aaron was off out in to the crowd for his trademark surfing, everyone surging forward to support him as he came nearly halfway out into the room.  I turned to say something to my friend, looked back and couldn’t believe it when I saw he was doing a handstand.  On top of the crowd.  Absolutely awesome to see.

He made it safely back and penultimate song ‘Reign on My Parade’ thrilled the crowd, with Aaron inciting a sing off before the band left the stage briefly, the whole room stamping their feet and chanting for more.  Even if you haven’t seen them before, you always know there’s going to be one more song coming and it’s always the same.  The anthemic ‘Executioner’s Day’ is always an epic close to an amazing, sweaty, euphoric show.


I left the venue feeling like I was floating on a cloud, a stupid grin on my face virtually the whole way home.  Heaven’s Basement have a tendency to induce that sort of feeling; I’ve only been following them for two years and this was the eighth time I’ve seen them, but for sure, it certainly won’t be the last.  If you haven’t caught them yet, you’re out of luck for the UK as by the time this gets posted, they’ll have left for Europe, but they are the UK’s hardest touring band; they’ll be back soon for certain.  With the trajectory they’re taking, if you leave it too long you’ll miss the smaller, more intimate gigs because Heaven’s Basement are heading straight for the top.

Check out the bands’ websites here: –

(Big thanks to Amanda Cooke for letting me use some of her fantastic photos!)

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