All posts by queenofrock75
Interview with Funeral For A Friend at Voodoo Rocks Summer Ball, June 2014
Those Bridgend boys Funeral For A Friend are back with a vengeance, having just announced a headline tour next January, to coincide with the release of their new album, ‘Chapter and Verse‘. Back in June, they had top spot at the prestigious Voodoo Rocks Summer Ball at Electrowerkz in London and I was lucky enough to interview them after they smashed their set. So, in case you missed it the first time around, sit back, relax and have a read!
Did you manage to catch any other bands playing tonight?
Pat: Yeah, I managed to catch two songs from The Dirty Youth – they’re from Wales so, big up The Dirty Youth. It’s not massively my type of music but you have to support good, positive people who just do it for the love of the music. They’re out all the time working hard and that’s what touring is about – people paying their dues and cracking on and they’ve been on it from the get-go.
Your sixth studio album ‘Conduit’ came out last year, was it well received?
Pat: It got to number two in the rock charts in the UK and we broke the top 40. It was a big success and surpassed expectation.
You’ve got a huge number of fans on Facebook so you must have had some really good feedback on social media?
Pat: Yeah, I think YouTube views and comments were good. There are a lot of avid, serious Funeral fans that give our videos and singles time, so yes, it’s always good.
You did the ‘Hours’ headline tour back in April, was it sold out?
Pat: Yes, every date was sold out.
Do you prefer playing live or being in the studio?
Pat: I think it’s a mixture. When you’ve done your fill of live shows, you’re stoked on new material that you’ve been writing in dressing rooms and meeting up at people’s homes and when you go into the writing process, you fully launch yourself into it. For us, on the new record (the seventh album) we just set aside two weeks and smashed right through it. It’s in the bag and it’s coming out, probably early next year.
We’ll look forward to it! What do you listen to when you’re travelling?
Pat: We’re going to go from extremely cold to extremely hot here, but ‘m going to say Predator, Rude Kids and a lot of drum related things that I like to listen to, as well as hard-core and metal. It’s a massive varied spectrum of all different musical tastes.
Let’s talk about the Wrexham Comic Con (FFAF are performing at the after party) …
Matt: We were asked to do it in April, but we were already on tour with our shows. Jamie, the guy that runs it was talking about next year, but then he put on a second event; we could do the date, so yes, we’re going to be playing to a shitload of geeks. We’re looking forward to it – we get to hang out at Comic Con all day!
Funeral For A Friend with myself and Natalie Conway from Red Dragon Records, Voodoo Rocks Summer Ball, June 2014 (Photo courtesy of Emma Radwanski, Emma Radwanski Photography)
You’re going to be doing some smaller festivals, like NASS, Godiva and those sorts of events this year; what are you aiming to achieve in the next couple of years?
Matt: There’s no real goal or plan, we just want to play. There’s no world domination theory. We love playing, especially to people who give a fuck about what we do. We never really set out with any kind of goal to be big or successful; the success we’ve had has come through people wanting to come and see our band, which is awesome. We’ve been a band for 13 years now and like everything, there have been peaks and troughs. We feel privileged that people still care enough about what we do to come and support us. We can’t ask for more than that, really.
You’ve been at it for so long, what sort of advice would you give to any up and coming bands that may be struggling?
Matt: Don’t set out with a goal to make a lot of money, be successful and sell a lot of records.
Pat: Further than that, don’t set out to be in a band, set out to be good with your instrument; be passionate about singing, or be passionate about playing the drums. Don’t buy an instrument or kit to go and join a band, it’s stupid. Have fun playing, fall in love with your instrument, your voice, yourself and then be in a band.
Matt: Do it for the fun of doing it, for the love of music. As soon as you write for anybody else, rather than yourself, then you may as well just stop.
Pat: Trust me, you’ll stop loving it when you get to 22 and realise you can’t play your instrument. Get good and then be in a band, otherwise you’re saturating an already over-saturated market, if you’re shit and you can’t play music.
Well, you guys should know, you’ve survived the digital revolution …
Matt: So many people are doing bands now that have never toured, that have never put the work in but are becoming successful. In my eyes, if you want to be in a band, playing live shows and getting out there is the first thing you should be looking at; it’s the key thing. If you’re not good at what you do and you can’t play live, there’s no point in you going any further.
Pat: The more you need to rely on digital aids, the more you mug yourself off.
Matt: God, anybody can make a record now. All the shit bands will fall at the wayside and eventually we’ll be left with the good ones …
What do you think about the changes to YouTube? Do you think it will have a big impact on you?
Matt: To be honest with you, little by little everything is being taken away from the independent sector anyway. Anyone that is trying to rape an artist’s ability to progress and get their stuff out to more people … it’s terrible. It’s a misguided way to try to claw money back from an industry that’s trying to figure out how to operate now, with the way technology is moving forward and the way people consume music. For me, one of the things I like currently is the resurgence of people getting into vinyl again. It actually makes you a part of something, you have to invest time into a record and you end up caring about it. You can download a track and just forget about it the day after.
Well, although rock has been outselling pop in the UK, a lot of people are saying that 2014 will see the death of the album. Do you agree?
Matt: I think that within this kind of music, albums will always be something that people will be into, even if it’s just collecting them. I collect vinyl, as do a lot of my friends and even the kids coming to our shows. If you’re, say, Coldplay, or a proper mainstream act, it might change drastically in terms of physical sales of records, but for metal and hard-core and punk it will always be there.
Pat: Thank God you can’t download merch.
Do you sell a lot of merch?
Pat: It’s what keeps bands like us going on the road. When records cost £250,000 to make, bands aren’t going to see anything off of that. When you sell out shows and you’re selling merch by the bucket, that’s where you make a little bit of money, but even then it’s percentages. As long as a band can stay on the road doing what they love, it’s all good, money is not the biggest thing.
It’s sad, though, because back in the day, record sales were everything.
Matt: We’d like to go back in time and be immersed in that situation again. I got into records in the nineties so for me it was the last decade where music actually meant something. With my generation I think there’s still a need to be part of something physical in terms of music, whereas kids who are brought up in this generation, they’re the iTunes and Spotify generation; it’s all done on the click of a button. There’s no hard work involved and no emotional investment in bands any more.
Do you have anything that you would like to say to fans that have supported you all the way through your journey so far?
Matt: Just, cheers. We really do fucking appreciate it.
The new Funeral For A Friend album is released on 19th January 2015 via all the usual channels – interestingly enough, as well as vinyl and CD, they’ll also be releasing a cassette version! You can catch them live – check out their website for the most up to date gig listings.
Interview with Kodiak Jack
Fresh from a recent performance at the highly acclaimed drug and alcohol-free Butserfest, Portsmouth-based Kodiak Jack are certainly on the up. They’ve been creating a buzz locally, following the release of their rocking second album, ‘Alhambra’ and with a special charity gig coming up and gig bookings coming in thick and fast, I wouldn’t mind betting they’re a band that you’re going to hear a lot more of in the coming months. I was lucky enough to grab ten minutes with them to shoot the post-gig breeze – enjoy!
– You played the alcohol and drug-free Butserfest recently. How was that for you?
The Butserfest show was our last gig of a tour around England so it was a great way to wrap it all up. Five minutes before we were due on stage, we realised that my bass guitar and our lead guitarist’s amp were broken, so it was a mad rush to fix the amp and get hold of a replacement bass! Even so, the show went ahead on time, we played a good set and those that were there seemed to enjoy it, which is the main thing.
– Taking it right back, you’ve been going for some years, how did the band get together?
Yeah, it’s about seven years now. The band formed as a bunch of guys in different bands that really just wanted to try something new altogether. There have been some line-up changes in that time but the line-up we’ve had for the last 18 months is our definitive one and I don’t think any of us would change it again for the world.
– How did the name come about?
Kodiak Jack is a rather shady character that popped up briefly in an episode of The Mighty Boosh. A few of the guys love the show and so the name was taken from that.
– If you had to recommend just one of your songs to a new fan, which would it be and why?
I think all 5 of us would pick a different song – but I reckon that’s a good thing! Personally, for me I would say ‘Brother’ which was the first single from our second album. For me, it captures all of our strong points – a big riff, catchy chorus, harmonies, it just rocks really!
– You seem to engage well with your fans; indeed you have your own street team! Have you got supporters who have been with you since day one?
We have friends who have followed us from the start, but over the last few years we’ve developed a loyal fan base and we have people that follow us around to a lot of our gigs which is great. It means a lot to us and shows that we must be doing something right if these people are parting with their cash regularly to travel around and see us play.
– On to the new album, ‘Alhambra’. I believe you recorded it in California – how did that come about and did you enjoy the experience?
A well known music journalist was talking to our manager and he said he would play our material to a friend. The friend turned out to be Brian Wheat who is the bassist in Tesla. He has an incredible studio and liked what he heard, so he invited us out to record our second album at his J Street Recording Studio in Sacramento.
We were there for 4 weeks although some of the guys had to leave early due to other commitments. It was very hard work and 4 weeks isn’t really a long time to make an album so there were a lot of long days in the studio. That said, it was a huge amount of fun! We met some great people and Sacramento is a fantastic place to be. There were some days that were tougher than others, but we knew we were going there to work and not to party for a month. When we did get some down time we made the most of it and relaxed and enjoyed ourselves before we got back to business.
– Did you find it a richer experience than recording the first album? How did it differ?
The first album was done at a much smaller studio over a weekend. It was still fun, and the guy who recorded it knew what he was doing. The main difference was just the scale of everything. J Street is a much bigger, more advanced studio and it was brand new – we were the first band to record there. Plus Brian has 30 years experience in the music industry and has pretty much done all there is to do in the world of rock music, so working with him and fitting in with his methods was also a huge change from when we did the first album.
– What inspirations and influences do you draw upon when you’re writing?
We all listen to different bands, so it really depends on who it is that’s bringing a new idea to the table. Once we start on a new song we all tend to have an input on it and so all kinds of influences start to come through. Our guitarist Jon brings a lot of new ideas to practice, but they often tend to sound a little bit too much like the Smashing Pumpkins for us to be able to use them, which is strange because he has never even listened to the Pumpkins!
– How was it supporting Tesla? They’re obviously somewhat of an iconic band to rock fans of a certain age …
It was an incredible day really. From hanging out back stage at the O2 Academy in Islington right up to playing the last note on stage. Tesla and their crew are all a friendly bunch and we have got to know them quite well now, so it was actually pretty relaxed in the build up. Watching Tesla sound check was an eye opener – we knew right then that we were going to have to be playing as good as we possibly could. There was a big crowd there and they really got in to our set so I think we delivered!
– Speaking of gigs, you’re playing in a charity gig in the next couple of weeks. Do you do a lot of charity work and do you feel it’s important?
We’ve done a few and we have a couple more lined up as well. I think it is important – especially if it’s for a cause that is close to someone in the band. There’s no harm in doing something like that if people will benefit from it and as with all our gigs it’s another chance to hit the stage and do what we love doing. Some of the lads will also be running in the Great South Run for a Portsmouth-based Down’s Syndrome Association charity called Footprints.
– Do you have any festival appearances in the pipeline for next summer?
We sat down with our manager recently and festivals are definitely high up on the priority list for next year. We are already booked in to a two day festival at The Maze in Nottingham in May 2015 and hopefully we’ll get on to lots of other festivals.
– What’s your opinion of the local music scene and of the whole industry in general right now?
Portsmouth has always had a lot of great bands and we’re lucky to have some decent venues in town as well. It’s a bit strange for us because most of the bands are either Indie or Metal and we’re neither! Despite that, there are a few Portsmouth bands that we love gigging with and it’s always good to have a nice relationship with other bands in the area. As for the global music industry it gives me a bit of a headache! I look at the charts and think ‘Who are they?’ Luckily there are some decent bands stealing the pop world’s thunder a little, like Royal Blood for example. The sad thing for me is that bands seem to tour less and less and rely on a handful of big arena shows or festivals instead of hitting the road. It’s so easy for people to get their hands on music these days that a lot of bands probably think its pointless doing a load of travelling to promote something that everyone has already heard and downloaded.
– What’s been the biggest highlight so far for Kodiak Jack?
The Tesla show back in June is easily right up there for me. There was a sell out crowd at a fantastic venue, and we were opening up for a great rock band. I’d happily do that every day! The crowd were there for Tesla and the vast majority had never heard of us, but by the end of our show they were loving it and we were getting stopped by people all night asking for photos and autographs. That was a great feeling and made all the hard work preparing for the gig well worth it.
– What’s next for Kodiak Jack?
Well we have plenty of gigs booked and no doubt a few more will be added, but as well as that we are working hard on new material for a third album. A few new tracks have been tried out live now and have been well received so we just need to keep writing, practicing and performing as much as possible. Nothing gets handed to you on a plate in music so we need to be seen to be busy and consistently coming up with some more great tunes for people to enjoy!
Watch out for Kodiak Jack – they’re going to be massive! Check out the video for ‘Brother’ here http://youtu.be/8rbrjozCYf8
Review of Sansara’s new EP, ‘Defiance’
Bournemouth rockers Sansara have had a funny old time over the last 12 months or so, with some changes in their line up making for a bit of an unsettled first half of the year. However, ‘Defiance’ is their third EP and it’s a hotly anticipated release; they’ve been a bit quiet on the local scene whilst concentrating all their energies on the recording process. I have to say, it’s everything I hoped it would be and more – I haven’t stopped listening to it since I got it …
When the first chords of the opening track, ‘Stronger’ kicked in, followed by Tom’s sublime vocals, I knew I was in for a treat with this EP. ‘Stronger’ is the perfect opener, a huge track that could well become anthemic over time. Drums, guitar, bass and vocals seem to come together almost effortlessly, the chorus is catchy and memorable and I just love it.
Second song ‘Refine Your Mind’ starts slowly, building to a bruising chorus, again sounding tight and accomplished. I love the lyrics; in fact I like everything about it. So far, this is proving to be my favourite track on the EP.
Third offering ‘On Your Own’ is another solid slab of rock and closing track ‘In Your Hands’ is an absolute belter – Tom’s vocals are outstanding on this song. From the super-long note at the beginning to the very last note, it’s a real crowd pleaser.
Sansara, l-r Tom Sawyer, vocals; Dee Aldwell, bass; Mike Rigler, drums and Sam Hughes, guitar
New bassist Dee Aldwell appears to have settled in to the role with ease and Sansara now seem to be 100% complete and focussed on the task at hand; indeed, I find it hard to be at all critical of ‘Defiance’. Sansara have matured and grown with each of the EP’s that they’ve put out; they now seem completely at home with the music they’re making and the line-up that they have. If I had to find fault with something, it would be that I wish that they would consider putting out a whole album of songs, because they have the ability and the talent. Put simply, four songs isn’t enough. But that’s all. It’s blatantly clear that, whilst Sansara’s foundations may have been a bit shaky at the start of this year, they’re certainly heading out of it stronger than ever and 2015 may just be their year.
If you haven’t yet got a copy of ‘Defiance’, make sure you get one as soon as – don’t just take my word for it, hear how great it is for yourself! Don’t forget that the hometown launch show is THIS Friday, 3rd October, at Bournemouth’s home of metal, The Anvil.
In the meantime, to whet your appetite, check out the video for ‘Stronger’ here – http://www.videscape.com/watch?v=aq9y8hfpc0cv9zw5
Track listing –
Stronger
Refine Your Mind
On Your Own
In Your Hands
Interview with The Family Ruin following Voodoo Rocks Summer Ball, June 2014, London
The Family Ruin are a fantastic up-and-coming rock band from the North of England. They were meant to be touring around America with Crown The Empire at this point in time but, due to visa issues, unfortunately they weren’t able to go. They have, however, just announced a support slot on the Asking Alexandria ‘Moving On’ tour of America and Canada later this year. Also, their debut album, ‘Dearly Departed’ has just been released in America this very day (European fans – have some patience, only six sleeps to go!).
So, in case you missed the original, first time around interview that I did with them earlier this year at the Voodoo Rocks Summer Ball in London, here it is once again for your delectation and delight!
L-R – Liam Redman, Wrath Of A King; Craig Robinson, TFR; Josh Adamson, TFR; Johnny Mennell, TFR; Natalie Conway, Red Dragon Records; Dom White, TFR and Me (Photo courtesy of Emma Radwanski Photography).
What did it mean to you to be playing alongside bands such as Funeral For A Friend at the Voodoo Rocks Club night?
It’s insane. I think, years back, we played with FFAF in our hometown of York (as The Fallen), so it’s great to be back on the bill with those guys, who have obviously massively climbed the ladder since then. I think then they had just released their first EP, so they were at the level we’re at now. It’s awesome to be playing with the Basement boys again, we’ve done quite a bit with Heaven’s Basement before and they’re good guys. We’ve not gigged for 6 months and this is the first show since we’ve recorded the album and signed with KBB; it’s nice to be doing a high profile London show. Good times!
You were formerly known as The Fallen. Did signing to KBB (a record label part-owned by Ben Bruce of Asking Alexandria) bring about the name change?
We’d been The Fallen for many years and we wanted to stick with it. It’s a bit of a sad explanation really, but there are so many different variations of the name. There are other bands out there with the same name and you couldn’t Google it and find us straight away. KBB told us they wanted to do the best for us, that we needed to be easily identifiable, so we went through two weeks trying to think of a name. We could have punched each other, we all thought we had the best names in the world and everyone else hated them … it took a long time to come up with The Family Ruin. We whittled it down to about five names and sent it off to KBB, told them that we hated everything we had come up with and told them to choose.
So, who actually came up with The Family Ruin?
It’s a bit of a cheat really, but there’s a band I really like called Oh, Sleeper and I was looking for references to lyrics and stuff; they have a quality song called ‘The Family Ruin’ and to me, that just kind of sounded like what we were producing at the time musically and it defined the sound for me, in my head … I’m not sure if everyone agreed with that. It’s got an identity because you want people to read it as, The Family Ruin, so no-one’s perfect but we can all join together and make something of it.
Very profound! Who do you draw your musical influences from?
We’re all totally different, so when we come together to start writing songs, there’s a good starting point. I think that’s good though because we all like different genres of music and it all comes together to make our sound, which is hard to compare to another band. Each song will vary; it’s not the kind of band where you’re going to get the same song throughout the album. It also works well because we get to play with different types of bands; our songs sound like different genres. We can roll up to some gigs and be the heaviest band on the bill and then we turn up to others that make us sound like Steps.
For anyone that’s not seen you before, how would you describe your show?
Party! That’s one thing that’s stuck with us through the years … one time we did a show back in Yorkshire and they put us on the poster as ‘party metal’, which is something we’d not heard before. We like to make sure there’s a groove in there so you can bang your head or have a good time. We’ve been known to have a few beverages and we enjoy a good time, we just want everyone to come down and get rowdy. We’ve got Liam (Redman, Wrath of a King) standing in on guitars tonight, he’s played a lot of riffs and tried to rock out to it, but he’s got some filthy grooves. As long as it’s rowdy and the beer’s flowing, it’s just got to be a party.
You’ve just announced a US tour, what are you hoping will come from that?
Leaving work! That’s a big factor to be fair, we’ve spent a lot of years doing nine to five jobs, so the US tour is a massive step up for us – it’s a proper platform to take the new album on and it’s going to be awesome to be in the States. We hope that they’re going to accept us. We’re starting to work on a few other things over there as well, so all being well, it’s not just going to be the one tour, we have got other things in the pipeline. In 2015 we’re going to spend quite a bit of time in America, and then we’ll focus back on the UK.
Well, you’re doing some UK dates this year, but nothing on the South coast. What’s that about?!
We hate them all, and we don’t like driving or really like leaving Yorkshire that much! No, to be honest, we’ve just been in touch with a really good booking agent who sorted us out for the UK to get us warmed up and prepped for the States. We don’t want to look as if we’re just ditching the UK because we’re not, but this is just a small showcase tour.
But you’ve missed out the South completely …
Speak to the booking agent, although we’ve been to Plymouth twice …
That’s not the South coast though! What about Southampton, Portsmouth, Bournemouth …
The plan is to go to the States for a while, build up a bit of a profile and hopefully that will feed back through to England. If we can get some more decent shows over here then we can tour the shit out of the UK. It seems no matter what dates we announce, someone’s always asking why we’re not playing somewhere else. It’s a shame for us, because we’re not hitting Scotland on this tour either and there are quite a few people up there asking why. It’s basically just a quick, warm up tour and when we come back we’ll hit more dates.
You’ve been at this for quite some time now, what would be the one piece of advice that you would give to an upcoming band?
We would say, literally, don’t give up. We’ve had a couple of line-up changes, but you have to have a certain determination to stick at it and your heart has to be in it. Over the years we’ve had some shit shows, we’ve lost money, but we’ve stuck at it. You have to find the right group of people that you get along with – thankfully we’ve always had that, even with the members who have left in the past, we’ve never had musical differences or anything like that, it’s always been that they can’t fight the struggle anymore or can’t commit. At a low level, it’s going to cost you a lot of money, you have to be prepared to sacrifice a lot of your free time and anything that you earn outside of the band, you’re going to have to put it back in. But if the dream is strong enough, it’s going to pay off in the end, so stick at it. If you really want it, it’s a lifestyle choice. We all work to be in this band and if any of us didn’t, we would be nowhere near where we are now. It’s all about the heart.
We’ve literally just landed on our feet with the whole KBB thing and everything has fallen into place since then. You have to stick to doing your own thing, too, but it’s all about your lucky break. We started recording the EP this time last year with Sam and Joe Graves from With One Last Breath, they have a studio in York – we’re all local lads. Ben Bruce was recording a solo album with Sam and Joe and they told him, very kindly, to check us out as he mentioned he was starting up a label. They’d seen us play as well, but it all came down to luck. KBB’s a very hands-on label, they want to get involved in artwork, the songs and give direction, but they’ve given us no ultimatums just because they have the knowledge. They’re on the second stage of their careers, we’re on our first!
So ‘Dearly Departed’ hits the streets in the USA today, Europe on 29th September – seriously don’t wait to catch these guys – they’re awesome and fully deserve your attention! In the meantime, check out the audio for ‘Let’s Go’ here – http://youtu.be/CdZ4aR6q06U
Keep an eye out for my review of ‘Dearly Departed’ – coming soon!
Interview with Ocasan
Buckinghamshire pop-rock trio Ocasan are all set to release the third instalment of their second album, ‘Elixir’ later this month. I caught up with them in the calm before the launch-storm to get answers to some burning questions …
– Firstly, I have to ask, how did you come by your band name?
Ocasan is my family’s old Celtic name – ‘Okasan’ (with a K) is Japanese for Mother. Feels good to say, right?
– You’re about to release the third EP, ‘Confessions’, the last of the trilogy that make up your second album ‘Elixir’. That was a bold step, what made you decide to do that rather than release a complete album?
We think that the EP model is more suited to our listeners. It’s a great way for fans to digest your music over a period of time, rather than overwhelm them with a barrage of songs at once.
– What’s the reaction been to the first two instalments?
We’ve had no end of incredible feedback from these records, we’re very proud. You know the EP’s are doing their job when you see new faces constantly appearing at live shows.
– Who are your biggest influences when you’re writing?
We’ve gone back to our grunge and rock roots. Reuben have been a big influence on our latest writing. If you we’re to listen to ‘Elixir’ as a whole album, I’m sure you’d hear Foo Fighters, The Police and Incubus in their as well.
– Which two songs would you pick to introduce a new fan to your music?
We’re pretty eclectic as a band when it comes to genres. I would say a good intro would be something like ‘No One’s Safe in Soho’ from our first record and “The Whitey Two Step’ from our latest.
– You’ve been together as a band for quite some time now – what would you say is the key to a harmonious relationship between you, especially on tour?
You learn an incredible tolerance for each other. I’ve always thought we’d be an amazing study for a psychologist. I think being in a band is like having two girlfriends at once (without the sexy benefits).
Having been with the guys for almost 10 years now we know all our idiosyncrasies back to front and this helps prepare you for certain behaviour. You learn the best ways of dealing with people in all circumstances. In fear of sounding a little cheesy, no matter how hard it gets we’re bound by the incredible times we have and the music we make. No petty argument will outweigh it.
– Talking of touring, you’ve toured pretty extensively in the past. How does Europe compare to places such as Russia and Canada? Do you have a favourite country to play in?
Every new country has something different to offer. In terms of audience interaction, there is nothing quite like eastern Europe. Those guys are nuts for live music!
Russia nearly killed us, they seriously know how to party with little-to-no sleep, we had a lot of fun there. As for Canada we got to hang out with some of the nicest people, it’s a lot more laid back than other places we’ve played and that accent is just priceless. We love the Canadians!
Italy is beautiful and we’re always so well looked after. The food and wine is out of this world! In terms of a solid favourite it really depends on your mood, I could never pick one.
Can someone send us to Japan? That’s next on the list.
– Any tour dates coming up?
Our agent has us up for a few tours at the moment so we’re just waiting to hear back. In the mean time we have our EP launch show at The Craufurd Arms in Milton Keynes on 20th September. This should be a blinder!
– Any funny/notable tour moments?
I could keep you up all night, but if I was to be ruthless, the one the springs to mind immediately is one the lads love winding me up with. They love recollecting the time Nathan (our bass player) tried inserting his fingers inside me mid-sleep. Our relationship has never been the same. I think he thought I was someone else. I hope he thought I was someone else …
– What are you listening to at present? Anything to recommend?
I’m still digging Skindred’s ‘Kill The Power’ and Jamie Lenman’s ‘Muscle Memory’ is a beaut!
– What’s been the biggest highlight so far for Ocasan?
Not being fingered! I’m not sure … skinny dipping in the black sea at 3am with our sound man, roadie, several Russian girls and Mr JD was a giggle.
– Finally, what’s next for the band in the next 2-3 years?
There are a few music videos on the go at the moment to help promote the release of the EP on 21st – expect these imminently.
We’re already working on our next record so we’ll look to release that about this time next year. We’ll carry on touring extensively and exploring this vast and wonderful third rock from the sun.
So, you can catch Ocasan at their ‘Confessions’ EP launch party, at the Craufurd Arms in Milton Keynes on 21st September. In the meantime, have a taster … here’s the vid for ‘Whitey Two Step’ – http://youtu.be/NLDNRoc76uo
Interview with Screaming Steel
I recently caught up with Martin and Ryan from Hampshire-based rock band, Screaming Steel to talk about all sorts of lovely things, including their eclectic musical influences, how they came by their band name and … why they’re ‘friends’ with inflatable swords … enjoy!
– How was the recent Joiners gig (supporting Dendera) for you? The crowd seemed to like you … the inflatable swords went down a storm!
Ryan: It was the best response we’ve had so far and not just down to the inflatable swords, we hope. It’s always easier for the first band to be watched as the crowd are more engaged at that point, so we were chuffed that everyone turned up to watch.
Martin: I really enjoyed the Joiners gig from where I was sitting. Like Ryan said, it’s easier to be the first band on but at the same token, it can be a killer if no one turns up when the doors open. We had to make an impact both visually and musically and the inflatable swords and the music were our friends on the night. We all had a great time.
– How did you choose the name ‘Screaming Steel’?
Ryan: I actually can’t remember!
Martin: That was down to me, I recall. We needed a “metal” name and I grabbed a band name generator from the net, specifically a metal one and after two attempts, Screaming Steel popped up, it was a no brainer as it just fitted the band perfectly.
– How would you describe your style?
Ryan: Judas Priest with Pantera vibes
Martin: I’d like to add that our style can’t be specific to one or two bands because every member of the band has different influences. My music taste is very eclectic and I’m proud to admit it, so listening to different genres of music, from funk and soul to heavy metal, has defined my playing style. If I had to put my finger on one ancestral origin for the band, I’d say NWOBHM (Saxon, Judas Priest, Iron Maiden and Black Sabbath).
– If you had to recommend one of your songs for a new fan to listen to, which one would you pick and why?
Ryan: ‘Deathclaw’ or ‘Hammered’?
Martin: I am particularly proud of ‘Rider’. Joe (our singer) phoned me just after I joined the band and said “You ride a motorbike don’t you? I’m gonna write a song about riding a bike”; the rest is history. ‘Rider’ shows all sides to “The Steel”, it’s just a pulsing great foot-tapper. However, if I was to recommend a chanting metal anthem, it would be ‘Hammered’, a song we wrote in five minutes and has had little change in composition since its inception. I have a great friend in California – he builds the best snare drums on the planet – I sent him a copy of our demo and within a week ‘Hammered’ was played on his local radio station (they had a charity day where they’d play anything you requested for a $20 donation) and the DJ’s were singing the chant during the song that was played after ‘Hammered’. It was a proud moment to know we’d been played on radio in the USA.
– You’ve been doing your bit for charity lately, do you feel it’s important for bands to get involved in charity work, or do you just do it because it’s a local cause close to your hearts?
Martin: Well, I can answer that one as charity gigs stem from links to me. Last year in May, our first gig was a joint concert with various acts from the Isle of Wight who came together to perform a concert to raise funds for the Lottie Rann trust. Lottie is my niece and to cut a long story short, contracted meningococcal meningitis twice. That type of meningitis is the most dangerous of all and can be a killer. We all rejoiced when Lottie recovered from the first one, but when she got it a second time (which is a billion to one chance) she was paralysed from the neck down. That was two years ago and now she’s in an electric wheelchair, has control over her limbs, can speak and is able to feed herself. The concert was all for her, so that she had funds to get a wheelchair and all the adjustments to the family home to make it wheelchair friendly. Ironically, I met Ryan and Joe for the first time the evening after Lottie contracted it for the second time to talk about joining them to form a band, so Lottie has been there from the beginning of The Steel and thus is a cause close to the heart of the band.
We are doing a joint charity night in Ryde, Isle of Wight in November for another charity cause that’s personal to me – Ryde Inshore Rescue. Recently some nasty individual took a screwdriver to both of the rigid inflatable lifeboats and destroyed their capability to save lives. Both boats were out of action and still are right now, but they’re being fixed. So both The Steel and another band I am in (Ozzy Osbourne tribute band We Waz Ozzy) are doing a gig to raise funds for RIR.
Obviously we can’t perform for every charity we’d like, but charities that are close to us get our undeserved attention.
– You recently acquired a new bassist; how has that affected the band dynamic?
Ryan: Dramatically, he has reaped new life into the dexterity or our playing and writing.
Martin: When James, our founder bassist decided to leave we thought it would be a struggle to find a replacement, but we found Sam through an internet ad and he’s brought an explosive dynamic to the band that we’d never thought possible. He’s brought fun and oodles of enthusiasm and the whole direction of the music has improved, he really is a diamond (but don’t tell him I said so!).
– I understand you’re currently writing some new material, can we expect to see a release soon?
Martin: With Sam on board, we’re foregoing songs that were in the pipeline for songs that the four of us have written together, normally through a warm-up jam at rehearsals. The new material, like ‘Deathclaw’, is an improvement from the past songs, and we’d like to think we’ll have enough new material to start recording an album in the early part of 2015.
– Who influences you musically?
Ryan: Everyone!
Martin: Where do I start? Drumming-wise, it started off with Phil Collins and Phil Gould (drummer for Level42) but as I progressed with my playing and listening to different music, I have a plethora of drummers who I’ve pinched ideas from. Musically, I’m a big fan of 80’s American hair metal (Poison, Cinderella, Mötley Crüe and Dokken, to name a few) and that whole genre has become a major influence and source of playing ideas.
– If you could tour with any band, alive or dead, who would you choose and why?
Ryan: Metallica, just because they are Metallica.
Martin: I’d like to say Led Zeppelin but then our performance would have to be legendary for the audience to remember us. Opening for our heroes like Judas Priest and Iron maiden would be a real compliment. And I love Rammstein, so supporting them would be just as cool.
– What do you think about the current state of the music industry? Where do you see rock and metal heading in the next 5-10 years?
Ryan: It’s pretty much a developing world with metal. It has been around since ‘69 and has a very stable dynamic in the musical world. The fact it’s managed to stay a niche for so long is fantastic and keeps itself fresh. New bands come and go; eventually the style shifts slightly but usually for the mainstream, not the fans. Metal is an intellectual people’s music and will always be a back burner of any household from Thin Lizzy to Dimmu Borgir. I hope I’m still part of it in 10 years, or at least helping to shape it.
Martin: Ryan has summed it up perfectly. I see that rock will never die, it’s just ace to see young kids walking round with Guns ‘n’ Roses t-shirts and them actually knowing who G’n’R are. You never see youngsters walking round wearing a t-shirt of a boy band from 20 years ago. Rock will never die, it’s too awesome.
– What’s the plan for the next 12-18 months?
Ryan: Ride the unknown!
Martin: I’d like to think that The Steel will collect new friends, or ‘Screamers’ as we call them. I’d also like to see us record some of our songs, we have some great feedback from people who’ve been to our gigs and they’ve been hungry for an album size collection of material. The great unknown, as Ryan put it, is actually where it’s at, we can’t predict our future but if we’re healthy, still great mates and having a blast, then that would be the best thing to look forward to.
Catch the video for ‘Deathclaw’, filmed at the Joiners gig https://www.facebook.com/video.php?v=664586440301511 – you can also check out Screaming Steel at www.facebook.com/ScreamingSteel
Work hard, play hard, engage or die …
So. I’ve just had a bit of a rant over on Facebook (no change there), but it actually made me so cross that I actually felt I had to write a ‘piece’ about it. Of course, it’s only my humble opinion, but it makes sense to me!
Bands that quit when the going gets tough. There. I’ve said it and I’m almost foaming at the mouth again just with those eight words. I went on to a band’s Facebook page this morning, only to discover that they have changed their name and started again. Fine, no problem with that. The pinned post at the top of the new page, however, was a great long diatribe about how they’ve given their all for however many years but feel that they can’t continue, blah, blah, blah. It was a self indulgent whine about how hard it is these days, what with venues closing up and down the country, the music scene dying off and basically slating the very people who have kept them going, because they’re moaning that no-one ever came to see them. It may not surprise you to learn that I have some thoughts on this.
Firstly, your music was probably mediocre anyway. You can get quite a long way with the support of a few hundred fans even when your music is crap. It’s called ‘loyalty’ and these are the people that will come out and see you, buy your tee-shirts and wristbands and spend money they haven’t got on travelling to some godforsaken hole in the middle of nowhere, even if they know in their heart of hearts that actually, you’re not that good. Hey, you might improve and they’ve already invested time and money, so they’re sticking with you because they feel part of something and are glad to be involved from the start. I know, because I have done this many times (and just occasionally, I’ve backed a winner).
Secondly, everybody accepts that the music scene, particularly rock and metal, is changing. If it doesn’t adapt to roll with the way the music industry as a whole is evolving, it will die. All those millions of fans (yes, they’re still there, contrary to popular belief) don’t want it to die, so they keep buying the music and merch. If the band is good enough and fully committed, they will make the effort to get off of their sofas and come and see them.
This brings me to the heart of the problem. I don’t consider myself to be an expert in all things music, nor do I claim to be some kind of social media guru or have a degree in the music buying and gig-going habits of the general public. I do, however, listen to a lot of music, spend a lot of time on social media, talk to a lot of musicians and have some contacts in the music industry who like to wax lyrical about every music fan’s favourite topic these days. So, based on my experience and in my humble opinion, I’m just going to put this out there. Bands that quit – YOU’RE PART OF THE PROBLEM. There. I feel so much better …
These days, musicians have to roll their sleeves up and get their hands dirty. They need to get on the phone, become a keyboard warrior, engage to a new level with their fans and basically work their fine arses off just to exist in the world of rock and metal. Yes, it’s hard. Yes, venues ARE closing up and down the country (and I’m not commenting on that specifically – it’s a whole other article), but I see it this way; when I go to a gig with a band who is good, whether it’s a well-known and loved venue or some flea pit that nobody has ever heard of, they will pack it out. If it is a band that is, at best, mediocre and who are giving a half hearted effort (and who haven’t bothered to create a buzz around them and build a fan base online as well), of course it’s not going to be busy and they won’t get invited back. Word will spread and yes, they will find that nobody comes to see them. Stick with me, I do have a point and I am getting to it.
My memory of the nineties ‘heyday’ is hazy, but I don’t recall there being quite so many bands who were on the local gigging circuit. Also, musicians seemed to stick with one band, for the most part and worked bloody hard at it (and played hard too). I don’t remember many crap bands, although I’m sure there must have been some, but the gigs that I went to were always pretty much packed. These days, there seem to be bands coming out of our ears and sadly, some of them should never have picked up instruments in the first place. Don’t get me wrong, it’s great that virtually everyone has the opportunity now and feels able to give it a go, but frankly, it’s a cut-throat business and it’s over-saturated with new music. If you don’t take it seriously, or you’re in it for the money, then you may as well hang up your drumsticks because you’re never going to make it, unless you get through via some steaming pile of excrement that passes for a talent show these days.
I’m going to name some bands here – I have chosen them purely because I have seen first-hand how hard they work to keep their heads above water. So, bands such as Heaven’s Basement, The Dirty Youth, and Feral Sun actually work their arses off. They cane their social media, making sure they engage with their fans – you can knock me for saying that all the time, but it’s the only way to go these days. They make a superhuman effort to make sure that they keep selling their merch, because let’s face it, that’s where the money is nowadays, it certainly isn’t going to come from album sales alone now that we’re in the age of the digital download. The Dirty Youth have successfully got people involved with going down the crowd-funding route. Feral Sun have risked everything by self-financing their debut album to get it out there into the public domain. Most importantly, each and every time they get up on that stage, they make sure they give it 110%; and on the rare occasions that they don’t, they acknowledge it and make damned sure that they do it better the next time.
All of these bands started from nothing and whilst they’re not yet at the top of the mountain, they’re making sure that they have everything in place to be able to reach the top whilst other bands are dropping off around them. Crucially, they are also extremely approachable with fans and will bend over backwards to make a gig an experience that people will remember and want to repeat. Music has become a customer service industry and if you’re not a people person, then you need to become one, or make sure that the rest of the band are.
There’s so much competition out there these days that bands need to be doing it bigger and better than everyone else. If you turn up to a gig, have faces like smacked arses, don’t engage with the people that support you, play your set in a somewhat mediocre and uninspired fashion and then leave without seeing any other bands or speaking to your fans, you don’t deserve to be taking that slot. Give it up to someone who is hungrier for it than you are, because they’ll give it everything they have to try and get to the top.
DEAD! announce September tour – interview here!!
DEAD!
Southampton punk rockers DEAD! have announced an eight-date headline tour in September to coincide with the release of the video for ‘Phantom‘, the second single off of their ‘Tu Me Manques’ EP. Produced by Dan Weller, the EP has been well received; indeed it was streamed by Rock Sound exclusively on their website earlier this year, when the band toured with Fearless Vampire Killers.
I had a chat with the guys before they head out around the country to talk about band naming, fantasy touring partners and what it really means to them to be ‘living the dream’ …
– How was New Age Fest? Did you get to catch many of the other bands?
We’re still quite new to the festival circuit so it feels chaotic to us! It was really cool to be a part of a smaller DIY festival – that really resonates with how our band operates. We’re all really bummed that we didn’t get to catch The Computers, those guys have such a crazy aesthetic live. You feel like you’re in a film.
– You’re heading out on a headline tour of the UK in September, how are you feeling about that?
There really aren’t many words to describe how we feel about it, we’ve chosen venues that we think are going to look and feel like people are in our latest music video. After a bunch of festival slots and a support tour with Fearless Vampire Killers, we’re actually really looking forward to playing longer sets, and we really hope our fans are looking forward to that too.
– If you could pick any line up of bands to tour with, who would you pick, and why?
We saw Finch the other night, so we’ll take them just because they were impeccable live. Let’s put Taking Back Sunday on as headline and throw in Reuben (back from the dead). Fuck. Looks like we’re on first for that one.
– You describe your genre of music as ‘punk ‘n’ roll’, what can new fans expect from your live show?
We really enjoy the sensibilities of good pop song writing, but we’re a bunch of energetic, passionate young guys, so its just not going to be played in a traditional pop way ha! Come along, stand down the front, we dare you …
– How did you decide on your band name?
It’s actually an odd story – when guitarist Sam had just had his first band implode and thought “Oh shit, what if I get hit by a bus tomorrow and didn’t release any music I was proud of”, he saved everything in a folder on his laptop just named ‘dead’. The idea was partly inspired by a Madina Lake lyric, but everyone ended up with the folder on their laptops to hear the demos and we just stuck with it.
– New single ‘Phantom’ is the 2nd off of your EP, ‘Tu Me Manques’, when might we expect a full-length studio album?
It’s really hard for an unsigned band to fund that kind of thing, and we’ve always been fans of natural growth so when its ready to happen it’ll happen. That’s not to say we haven’t been writing, there’s tons of new material and some is insanely vicious, we can’t wait to get into a studio and see how it turns out.
– Dan Weller, who produced your EP, has worked with the likes of Enter Shikari and Sikth; did you enjoy the recording process?
We’d always dreamed of working with Dan, given his track record, so it was a nerve-wracking experience at first. We actually all got on really well as soon as we got in the room, Dan completely got our sound and what we wanted to do. He knew how to hype us up for the recording process; most of the CD is just us playing live whilst having tequila poured down our faces. That’s why the vibe is so wild and on tracks like ‘We Are Dead’ you can really hear that.
– What does it mean to you to know that people are listening to your music and buying tickets to come and see you headline?
Literally everything. It’s so surreal, we’ll never get used to it. The Dead! family is turning into some giant team trying to breathe some excitement back into the music scene and make live music what it used to be.
– What’s been the highlight for Dead! so far?
There’s too many to mention. Radio One was pretty insane, we kind of got picked up by accident before the track was even finished. ‘We Are Dead’ was never meant to be a single, it just happened! It was a bit odd walking home from the tube station and seeing we were tweeted by Dan P Carter as his ‘Single Of The Week’ on a song we’d been finishing the vocals for half an hour earlier! Our first gig in Glasgow was definitely a highlight, but you’ll have to come see us play in Scotland to understand that.
– How do you feel the local/national rock scene is evolving? Is the future of rock and metal bright?
It looks that way, especially with bands like Bring Me The Horizon keeping metal at the forefront of popular culture. Just look at the Jamie Lenman come back – everyone really gave a fuck about a dude from the past whose band never ‘made it’, and thats awesome. It’s great to be a small part of it.
– What’s next for DEAD!?
Songs! Studio! Video! But first we’re just going to try to get through this tour without being hit by another truck …
You can catch DEAD! on tour at the following venues through September: –
24/09/2014 SOUTHAMPTON – The Cellar
25/09/2014 BRISTOL – The Gryphon
26/09/2014 BIRMINGHAM – Alfie Birds
27/09/2014 LEEDS – Temple Of Boom
29/09/2014 DURHAM – Fish Tank
30/09/2014 GLASGOW – Old Hairdressers
01/10/2014 BOLTON – The Alma
02/10/2014 NOTTINGHAM – The Dog House
03/10/2014 LONDON – The Garage (upstairs)
You can find the video for ‘Phantom‘ here – http://youtu.be/i3Xbs2i0ovU
Planet Rock presents UK showcase featuring Blackwolf, The Brew and Fire Red Empress
Classic Rock Magazine’s ‘Best New Band’ nominee, Blackwolf, will be appearing alongside fellow British bands The Brew and Fire Red Empress on a mini-tour of the UK in September. Dates as below:
Fri 12th – MANCHESTER – The Roadhouse
Sat 13th – OXFORD – The Bullingdon (Art Bar)
Thu 18th – SHEFFIELD – The Corporation
Fri 19th – BRISTOL – The Exchange
Sun 21st – LONDON – The Barfly* – date change (originally Sat 20th September)
Bristol-based Blackwolf have already toured with the likes of The Temperance Movement and The Answer so far this year and their debut album, ‘The Hunt’, went down a storm. Following the release of new single ‘Moving Mountains’, they also appeared at Wales’ Steelhouse Festival. With a nomination for ‘Best New Band’, alongside the likes of Blues Pills and The Cadillac Three, these guys are not to be missed whilst you can still catch them in a fairly intimate setting. You can watch ‘Moving Mountains’ here – http://www.youtube.com/watch?v=XayXsQIgImU
Blues-infused rockers The Brew have been busy, with lots of headline shows under their belt, as well as support slots to rock royalty such as ZZ Top, Joe Bonamassa and Lynyrd Skynyrd. With an album produced by Toby Jepson, The Brew are set to perform at Hard Rock Hell VII later this year, so this will be the perfect warm up for them! Watch their ‘Repeat‘ video here – http://www.youtube.com/watch?v=RhOIbj92wKs
New boys on the block, Fire Red Empress are picking up followers at a rate of knots with their own particular brand of melodic rock and their EP, ‘Paint Me The Devil’, is gaining critical acclaim from music press. You can catch them in the latest issue of Classic Rock magazine. Watch their video for ‘Left Unspoken’ here – http://www.youtube.com/watch?v=cxmphhvoN8Q
Tickets for this epic, energy-infused mini-tour can be found here
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