Tag Archives: The Great Unknown

Interview: Alex from Damn Dice, 04.06.16 at the Buck’s Head, Camden

Damn Dice recently released their self-funded, debut album ‘The Great Unknown’.  Fresh from a triumphant tour with Black Rain, and today’s amazing Camden Rocks set at the Electric Ballroom, I caught up with vocalist Alex for a beer and a chat about the merits of physical CD’s versus downloads, festivals and wrestling …

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Vikkie: You just played the Electric Ballroom for Camden Rocks Festival – how was it for you?  It sounded pretty good from where I was standing!

Alex:  It was amazing – I don’t think we expected such a turn out; you were there, you saw how busy it was.  That always spurs you on but we always try to give everything.

V: You always give 110% and you’re all about the live show.  When you have to take time out to record, do you enjoy it, or would you rather be out on stage?

A:  We enjoy it, definitely.  Of course, it’s good to play live but when you’re writing the songs and they come together, you get that excitement, like when you first join a band.  You want to play them live and people don’t know them but the recording and writing process is fun, not so much in the studio as there is a lot of waiting around, especially for me as I go last!  It’s a good experience.

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V:  Where did you record ‘The Great Unknown’?

A:  We recorded at Angry Bee studios in Hackney, which is my home turf.

V:  It’s a fantastic album, quite different to the EP.  You all write together, so what influences do you draw upon?

A:  Most of the bulk of the music comes from Wallis and François (Fourmy, brothers) and then we get together to do the vocal stuff. I do the lyrics and most of the vocals.  I don’t think there’s one moment where you think ‘Oh yeah, I want to write about this’, but you just draw on things you’ve noticed, things that have happened, experiences that you’ve had.

V: I didn’t actually realise that Wallis and François are brothers – François designed the website, didn’t he?

A:  He did, he does all of the visual stuff; he’s a dab hand at Photoshop and he did the editing for the videos … he’s really good at that stuff!

V:  Talented!  So, in terms of a follow up to ‘The Great Unknown’, when might we expect a follow up?

A:  We hope to get the majority of it, at least the writing, done in the second half of this year.  As to the recording, we still have to find a way to realise that in terms of money.

V:  Do you find that it’s harder to reach people, as you aren’t signed to a record label?

A:  I don’t know … a record label, what can they do really, apart from chucking a whole load of money behind you and getting you in the magazines?  Otherwise it’s social media these days, isn’t it?  For example, if you are going to check out a band, you’re going to go to Facebook, Twitter …

V:  I found you through Twitter originally, there are some great bands to be discovered in that way!

A:  It’s easier to update.  It’s good to have the website because you can put a lot of stuff there, like a shop, information – obviously you can’t do that with 140 characters on Twitter!  You kind of need a website.

V:  You added your fifth member of the band – Diego – in August last year.  What was behind the decision to bring in another member?  Why go from a four piece to a five piece?

A:  Sound, basically.  What often happens is many of the songs have a key change in the solo and if you haven’t got a good bass sound, it’s difficult for the listener to hear what’s going on.  You might change key and the guitar player starts soloing and people think it’s in the wrong key or it sounds bad because you can’t hear the bass properly.  We decided to have another guitar player to give it that foundation.  When we recorded, we recorded a guitar track under the solos anyway, which is obviously not do-able live with one guitar player so we decided to bring [Diego] in to make sure we have the full sound that we needed for the live shows.

V:  Do you not find it hard, with four of you bouncing around on stage?

A:  It depends on the stage!  The Electric Ballroom is quite a big stage.  At the Barfly, you do knock into each other a bit.

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V:  If you had to pick two or three of your songs to introduce you to a new fan, who had never seen or heard you before, which would you pick?

A:  Maybe ‘What Now?’ because that’s one of the newer songs that we wrote and I think it represents the direction that we are going in more than the others.  I have a soft spot for ‘Caught In the Ride’ as it’s the first song that we wrote together and I love that song.

V:  We’re into festival season, Camden Rocks kicks off just before Download … haven’t seen you on the bill for Download?  Anything else lined up in Europe?

A:  Unfortunately not.  Maybe this is where labels and having outside representation can help you.  Contacting people directly … I feel like there’s a guy who sits there on his computer and gets 10,000 emails from unsigned bands … that’s how it feels.  Hopefully we will be doing that next year.

V:  Do you all take your turn at networking and keep an ear out for opportunities?

A:  We all actively contact people and get them to contact us.  We try as much as we can, of course, we have to.  If we’re not there, it’s not for want of trying!  We are going to have a bit of a break in August, though.  There are so many things to do and you can’t just concentrate on one thing.  When you are in the situation that we are, you have to do everything yourselves.  Contacting people, following up, promotion, social media, developing graphics and pictures, video … and all that goes with it.

V:  It’s a lot of work.  What’s next for Damn Dice though?  You’ve said that you’re going to have a break, you’ve hinted that you might possibly have a new album.

A:  We want to just gig as much as we can, just get out there.  I think the best thing you can do as a band is just play as much as you can.  Sometimes we might be spending money, on travelling and other stuff, but ultimately it’s an investment. You can’t just sit at home, you have to push your product, basically.

V:  I’m glad you said that, because so many bands do just sit at home, thinking that it’s too hard.  It’s totally the wrong attitude and it’s probably why so many bands just die on the wayside.

A:  You need to put the effort in.  When you’re a five piece band … we split everything.  We split costs, it’s not that bad, but the most important thing is getting out there to play because if no-one knows who you are, what’s the point?  Your Mum’s always going to be a fan, but you need more than that!

V: I had a question from a fan on twitter, which was, “Would you rather play at Madison Square Garden, do a film soundtrack, or open for Bruce Springsteen”?

A:  The Garden, definitely the Garden.  It’s iconic and I’m a big pro-wrestling fan and Madison Square Garden is the spiritual home of WrestleMania.

V:  So … you’re a wrestling fan, you play classical guitar and you have really bad eyesight … that’s what I’ve learned about you today!  Anything else you would like to put out there that people don’t know about you?

A:  I think that about covers it!

V:  Do you download music or do you like to have that physical CD in your hand?

A:  I download music.  I can’t remember the last time I bought a physical CD.  I have a lot of CD’s at home, but I listen through my computer – I don’t have a separate CD player and I definitely don’t have a record player.  I think there’s a generation who grew up not knowing physical music, so the concept of listening to an album probably doesn’t exist for a lot of young people. The dynamic has changed as well because if you go back to vinyl, you have two sides, a side-A and a side-B and the album was structured based on that idea so there would be certain songs faster or slower and arranged in a particular way.  When it went to CD with just a long stream of music that had a certain dynamic as well.  Now, I think people don’t listen to ‘albums’ from start to finish, they like this song and that song, so they will download those.

V:  So when you’re writing an album you don’t have in mind that you’ll start with a particular song …

A:  Yeah, we still do.  We put a lot of thought into the track listing.

V:  Do you have any messages for Damn Dice fans?

A:  Everyone that’s already a fan, thank you so much for supporting us.  The most important thing is support local music, get out to the gigs if you can.  You know if you like the music, buy it, because ultimately it helps.  If I like a band, I will buy their music because it’s a way of supporting the band.  If an album costs £10, I’m going to buy it; I’ve just bought two beers, which cost nearly £10 and I value music more than I value beer!  Support local bands, get out there because it does make a difference to the band.  When you see people there and they like the music it does make a difference to us, to the bands.  When I go to see a band that I like, it means a lot to me to see these guys.  £1 is not much to spend for a song that you like and every little helps.  Support your local scene and have fun.  We have fun, so we want to invite everyone else to have fun with us!

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You can find out more about Damn Dice via their websiteFacebook page or Twitter

Check out the videos for Rock (Like You Mean It)What Now? and my personal favourite, Driven

You can also check out the album of photos of Damn Dice at Camden Rocks Festival by Chris of Dirty Rock Photography here

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Camden Rocks Fest mini-review

A sunny day in Camden Town, a few friends, more than a few beers and some rocking good bands.  I had a blast at Camden Rocks Festival this year, although I only got to see seven bands, due to so many clashes and a late arrival back from the Sheffield Heaven’s Basement gig the night before.  Anyway, here’s my mini review of the day.  Enjoy!

The first band of the day was Damn Dice (8.5/10), a native hard rock outfit who were all dressed in black leather, with more hair and eyeliner than I’ve seen on stage for a long while.  They kicked off with some riff laden, scissor-kicking mayhem, as they hammered their way through a convincing set, including the soundtrack to new video ‘Driven’.  With harmonics and headbanging aplenty, I thought their set was pretty good; this is a band on the up, with their debut album “The Great Unknown” hitting the airwaves on 24th August.  Watch out for them in future (and keep your eyes peeled for my interview with the band and my review of the album!).

Damn Dice on stage at the Camden Barfly

A swift trot over to the Stables and The Cuban meant it was time for the eagerly anticipated set from London hard rockers New Device (7.5/10).  Dressed in vests, with tattoos and biceps on display in equal measure, New Device gave a credible set, however for some reason they didn’t fully hold my attention and it all sounded a bit … generic.  They did perform to a packed room, however and I’d like to see them again to make up my mind.  I’m going to acquire a copy of their album “Takin’ Over London” next week …

New Device at The Cuban

I might get criticised for reviewing the next band, as it’s well known that they’re favourites of mine and perhaps I should have seen someone else instead, but Max Raptor (9/10) always give 110%, balls out, awesome energy to every single show and I couldn’t resist seeing them, as it’s been a while.  I wished I was anywhere else but at the Barfly though;it was absolutely heaving and I could barely breathe, let alone see the stage.  Wil and the guys looked lean, full of beans and more than up for a good show, kicking off with ‘The Great and The Good’.  There were clearly a lot of Max Raptor fans in the room and the whole place went nuclear with the crowd singing along to all the lyrics.  I was stuck at the back so I couldn’t get any decent pics, but with new song ‘Population’ thrown into the middle of the set, before the mayhem of ‘Obey The Whips’ and the pure genius of ‘England Breathes’, it was clear that the band were loving being on the stage as much as we were enjoying watching them.  A mad set culminated in ‘The King Is Dead’, with a massive circle pit going on down the front.  Never a disappointment, always mad, you’re seriously missing out if you haven’t seen this lot yet. Get on it!

A serious cool down was needed after that, so I headed to the Monarch to see The Wild Lies (9/10), a band that are full of old-fashioned strut and raunch, with a bang-on-trend sound.  Clearly a lot of other people thought the same as the place was packed.  A slick sound, coupled with 100% rock star appearance ensured that this lot went down a storm and I defy anyone not to want to rock out whilst listening to them.  With a Download Festival appearance lined up next week and a new video out for ‘Asteroid Central’, The Wild Lies should be on anyone’s playlist; certainly they didn’t disappoint any of the assembled throng in the Monarch.  Well worth a watch!

The Wild Lies at The Monarch

I couldn’t see Heaven’s Basement (9/10) and not review them;anyone who has followed my blog or Facebook page will know how fond I am of the Basement Boys.  Turning their usual set on its head and kicking off with ‘Executioner’s Day’, Aaron, Sid, Rob and Chris flew through a disappointingly short set, with crowd pleasers such as ‘I Am Electric’, ‘Can’t Let Go’ and ‘Heartbreaking Son of a Bitch’.  Sid did an admirable job of vocals with ‘Paranoia’ and Aaron couldn’t resist his trademark crowd surfing.  With some serious pit action going on I was surprised they chose to slow things down with ‘Price We Pay’, never a favourite of mine, but they eased the crowd back to fever pitch and finished a cracking performance with a two song encore of ‘Welcome Home’ and absolute favourite ‘Fire Fire’, which had the whole place bouncing.  This was my 15th HB gig and whilst I still adore them and their music, I think they need to crack on with album two and get some new material out in front of the fans.  Having said that, I headed to the bar absolutely dripping with sweat, euphoric at having been part of yet another awesome, atmospheric gig.  Roll on HBII and another tour …

Heaven’s Basement at The Underworld

I would love to tell you how amazing Skindred were, but by the time I came back from the loo, the crowd was packed tighter than a shopping centre on Boxing Day – I couldn’t get anywhere near them and the venue was getting ridiculously hot, so having caught a smashing rendition of ‘Kill The Power’, it was with regret that I headed back up to street level.  Judging from the reaction of those people closest to me before I bailed, Skindred’s set was going to be another good one.

With a banging head and aching feet, I headed back to the Monarch for the last band of the day.  Jett Black have been on my bucket list for a long time and whilst I couldn’t tell you what tracks they played, I know that they had an appreciative audience and sounded pretty awesome from where I was sitting (yes, sitting. I’m nearly forty, give me a break …).  Again, another band that I would like to see play a full set, sober and bright eyed and bushy tailed, to give them full justice.

Bands I didn’t get to see, but heard people raving about were – Glamour Of The Kill, Fallen To Flux, Bullet For My Valentine, Buck and Evans, Buffalo Summer and Voodoo Vegas.

All in all, it was an immense day.  I got to meet up with some friends, see some awesome musicians, spend time with The Boyfriend, sit in the sun and have a few beers.  That’s all you can ask for on a beautiful day in Camden Town.  Much kudos to the organisers and roll on Camden Rocks 2016.

All photos courtesy of Chris White